20世纪俄罗斯“文化神话”的终结之链——从列米佐夫的“猿猴议会”到“谢拉皮翁兄弟”

发布时间：2018-01-28 07:51

本文关键词： 文化神话列米佐夫谢拉皮翁兄弟象征主义　出处：《俄罗斯文艺》2017年03期 　论文类型：期刊论文

【摘要】："文化神话"是一个比较宽泛的概念,从其诞生源头来看,俄国象征主义者的参与起到了重要的作用。如果说"普希金神话"及其相关的"黄金时代神话"是俄国象征主义者最初制造的"文化神话",那么,由象征主义作家列米佐夫所组建的文学团体"伟大而自由的猿猴议会"与脱胎于其中的"谢拉皮翁兄弟"便共同构成了这一链条的终结。本文从神圣的命名、入侵的历史以及虚构的作者形象三个层面,围绕"日常生活与艺术创造的关系"问题对上述两个文学团体进行了对比和分析,揭示了在这条终结之链上艺术家对待文本、世界与自身的态度发生的微妙变化,并在此基础上进一步探索了"文化神话"的内涵在20世纪初期的流变及其终结的必然性。
[Abstract]:"Cultural mythology" is a relatively broad concept, from the origin of its birth. The participation of Russian symbolists played an important role. If the "Pushkin Myth" and its related "Golden Age Myth" were "cultural myths" originally created by Russian symbolists, then. The great and free Simian Council, a literary group organized by the symbolist writer Remizov, and the Sherapion Brothers, which were born out of it, together formed the end of this chain. The history of the invasion and the fictional author's image are compared and analyzed around the "relationship between daily life and artistic creation". It reveals the subtle changes that have taken place in the artist's attitude towards text, the world and himself in this end chain. On this basis, it further explores the connotation of "cultural myth" in the beginning of 20th century and the inevitability of its end.
【作者单位】：上海外国语大学;
【分类号】：I512.06
【正文快照】： 引言作家沙罗夫曾经指出包括他在内的俄罗斯当代作家与20年代作家的同源性,他说: 20世纪20年代的俄国文学继“白银“我想,从遗传学的角度而言,我们更接近时代”(серебряныйвек)之后,再次呈现了现代主义语境下对“文化复兴”现象的独特诠释,并在一个世纪之后

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