主体的演变与生存美学——福柯与拜厄特的主体化艺术研究

发布时间：2018-02-01 19:04

本文关键词： 福柯拜厄特《占有》主体性主体化艺术生存美学　出处：《中山大学学报(社会科学版)》2016年02期 　论文类型：期刊论文

【摘要】：福柯是法国现代伟大的思想家,拜厄特是英国当代著名作家,尽管二者所从事的职业完全不同,但对主体的历史演变和生存美学的探究却殊途同归。拜厄特的代表作《占有》探讨了人类历史上的三种主体化模式:远古时代自由个体的主体生产,近现代宗教、理性、权力统摄下的建构主义主体生产,后现代主体坍塌之后的美学化主体生产。福柯在有关主体化艺术的论述中提出了类似拜厄特思想的历史考察:古希腊古罗马人的主体化艺术、宗教时代的"牧师权力"和现代性社会"管理权力"对主体生产的控制、主体建构的宏大叙事破碎之后的后现代社会主体化艺术的重生。这与拜厄特的主体历史形成模式相互应和,体现了小说家和思想家从不同的路径对人类主体性这一问题的历史循环模式的相似思考。福柯的哲学著作与拜厄特的虚构小说形成了一对十分有意义的互文文本,对二者的研究有助于加深对历史上主体演变和生存美学这两个哲学与美学问题的理解。
[Abstract]:Foucault is a great modern thinker in France, and Byatt is a famous contemporary English writer, although their careers are completely different. However, the historical evolution of the subject and the exploration of survival aesthetics are different. Byatt's masterpiece "possession" explores three modes of subjectivity in human history: the subject production of individual freedom in ancient times. The production of constructivism subject under the control of modern religion, rationality and power. The aesthetic subject production after the collapse of the postmodern subject. Foucault put forward a historical investigation similar to Byatt's thought in the exposition of the subject art: the subject art of the ancient Greek and Roman people. The "clerical power" in the religious era and the "management power" in the modern society control the production of the subject. The rebirth of the post-modern society subject art after the breakup of the grand narration of the subject construction is mutually compatible with the historical formation model of the subject of Byatt. It reflects the similar thinking of novelists and thinkers on the historical cycle of human subjectivity from different paths. Foucault's philosophical works and Byatt's fictional novels form a pair of meaningful intertextual texts. . The study of them is helpful to deepen the understanding of the two philosophical and aesthetic problems: the evolution of the subject in history and the aesthetics of existence.
【作者单位】：扬州大学外国语学院;美国达拉斯德州大学人文艺术学院;
【分类号】：I561.074
【正文快照】： 米歇尔·福柯是法国现代最重要的思想家之一,A. S. 拜厄特是英国当代最伟大的作家之一。两人因其所从事的职业不同似乎没有任何交集,但在一个后现代语境下的热门话题上,二人却殊途同归。这就是对主体和生存美学分别从哲学和艺术的不同视角进行了探究,并得出相似的结论。因此,

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