颜歌的秘密

发布时间：2018-02-09 09:16

  本文关键词： 颜歌 张怡微 平乐镇 女演员 中国当代文学 三十岁 张老师 叙事语言 《伊利亚特》 幼年时期 　出处：《上海文化》2016年01期 　论文类型：期刊论文

【摘要】：正1我读颜歌有关平乐镇的小说和散文,时常会想到张怡微写日本女演员树木希林的一段文字,"树木希林不希望大家为她难过,因为让人难过实在太容易了。她选择让大家又大笑又难过,以至于发现自己有更好的能力去发现生活中类似的瞬间"。比如说生老病死,被侮辱与被损害,以及一切的受苦和离别,这些都是太容易让人难过的事,却也是太容易在生活中遭遇的事,以至于,要了解它们,要感受到它们带来的冲击,人们其实不太需要文学的介入。如果说,某个人对父母冷淡,对地铁里伸向他面前
[Abstract]:When I read Yan Song's novels and essays about Pinglezhen, I often think of Zhang Yi-wei writing a passage about Japanese actress Shumu Shilin, saying, "she doesn't want everyone to feel sorry for her." Because it's so easy to make people sad. She chooses to make people laugh and feel sad, so she finds herself better equipped to find similar moments in life. "for example, birth, old, sick, insulted and damaged," And all the suffering and parting, these are too easily sad things, but also too easy to encounter in life, so that, to understand them, to feel the impact of them, People don't really need literary intervention. If someone is cold to his parents, he reaches out to him in the subway.
【分类号】：I106
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本文编号：1497590