作为文化他者的中国——论20世纪初西方文学中的中国形象

发布时间：2018-04-13 12:58

  本文选题：“他者” + 东方救赎　； 参考：《首都师范大学学报(社会科学版)》2016年02期

【摘要】：西方文学中的中国形象不是对中国现实的客观描写,而是作为西方文化的"他者",参与到西方文化的自我肯定、自我建构和自我超越中。即使是到了全球化、地球村逐步实现的20世纪初,西方文学中的中国形象仍然是在可爱与可憎、天堂与地狱的两极间摇摆。具体地说来,英国人由于其深厚的人文传统,关注中国形象所承载的"东方救赎"的主题;法国人对于异国情调和浪漫的追求使得法国文学中的中国形象体现出浓郁的"新异国风味";而美国人则出于其自身利益,时而把中国人视为"黄祸的化身",时而又视其为"崛起的英雄"。
[Abstract]:The image of China in western literature is not an objective description of Chinese reality, but a "other person" of western culture, who participates in the self-affirmation, self-construction and self-transcendence of Western culture.Even at the beginning of the 20th century, when the global village was gradually realized, the image of China in western literature was still lovable and abominable, and the two poles of heaven and hell swayed.Specifically, because of its profound cultural tradition, the British pay close attention to the theme of "Oriental salvation" carried by the image of China;The French people's pursuit of exotic feelings and romance makes the Chinese image in French literature embody a strong "new exotic flavor", while the Americans are motivated by their own interests.Sometimes they regard the Chinese as the incarnation of the yellow peril and sometimes as the rising heroes.
【作者单位】： 首都师范大学外语学院;
【基金】：北京市教委青年英才计划项目资助(043135336000/023)
【分类号】：I106
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本文编号：1744594