尤涅斯库《椅子》评述

发布时间：2018-04-23 20:34

本文选题：尤涅斯库 + 荒诞派戏剧　；参考：《上海文化》2016年01期

【摘要】：正2013年9月17日,上海戏剧学院的一位学生,从日本参加戏剧节回来,他在那里参演了尤涅斯库的《秃头歌女》,深有触动。回来后着手阅读同一作者的剧本,对《椅子》很感兴趣,而其中的某些意象,却似一层雾蒙在眼前,找不到它们的关联和意义。于是来信提问,并附上中译本网址。我在学生时代浏览过荒诞派戏剧,有一些零星印象,但没有读《椅子》。收到信以后,我匆匆瞥了一眼剧本,顿时有惊艳的感觉。过了国庆长假,我把剧本打印出来,认真读了一遍,确定最初印象没有错。《椅子》是个难得的好剧本,意象丰富,内涵深邃,几乎近于
[Abstract]:On Sept. 17, 2013, a student at the Shanghai Academy of Drama returned from a drama festival in Japan, where he was deeply touched by his role in Yuniescu's Bald Girl. When he returned, he began to read the script of the same author and was interested in the chair, some of which seemed to haze in front of him, unable to find their relevance or significance. I am writing to ask questions and attach a Chinese translation address. When I was a student, I skimmed through absurd dramas and had a few odd impressions, but I didn't read chairs. After receiving the letter, I glanced at the script with a startling feeling. After the National Day holiday, I printed the script out, read it carefully, and made sure that the initial impression was correct. < chair > is a rare good play, rich in image, profound in content, almost close to it.
【分类号】：I565.073

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