论《微物之神》中的女性形象与女性叙事

发布时间：2018-04-28 18:22

本文选题：阿兰达蒂·洛伊 + 《微物之神》　；参考：《深圳大学》2017年硕士论文

【摘要】：阿兰达蒂·洛伊(Arundhati Roy,1961——)是当代最受关注的印度本土作家之一,也是首位获得英国布克图书奖的女性作家。她的长篇小说《微物之神》通过书写祖孙三代印度女性的经历,表现了当代印度女性的生活现状和生存困境。洛伊传承、发展了印度传统文学中的女性观念,并有所反思。她批判了宗教、男权规范和传统的社会秩序对女性的压制,肯定女性的反抗意识,努力探索和追问印度女性的出路,这些都体现出她作为女性作家的责任感和使命意识。论文共分为五个部分:绪论概括介绍了作家的生平和创作,以及国内外对《微物之神》的研究情况。第一章论述了《微物之神》中印度女性的生存困境。她们在家庭、社会中处于屈从地位,遭到轻视、羞辱和暴力对待。她们或顺从于命运,或奋力反抗,或充满困惑。在传统宗教的禁锢和男权压制下,她们的命运往往是悲剧性的。第二章从文学史角度探讨洛伊书写的价值与意义,并从现实层面分析当代印度女性的困境。洛伊继承和发展了印度传统文学的女性观念,通过对反抗者和受害者的书写,丰富了文学艺术长廊中的女性形象。小说通过女性的性爱和乱伦行为的反抗,体现了洛伊对印度社会道德规范和秩序的质疑与批判。造成现当代印度女性困境的原因是印度女性解放运动的不彻底、法律制度与现实生活的脱节,以及国家、民族话语对女性“家庭”角色的强调。因此,正如洛伊的作品所体现的,当代印度女性解放之路是艰难的。第三章采用女性主义叙事学理论分析洛伊创作的叙述声音和作者权威、叙述视角与女性意识之间的关系。洛伊采取了作者型的叙述声音的叙事模式,通过叙事介入和创建互文本等写作策略构建了隐含的作者型权威。同时,叙述者和人物都关注女性,从而凸显了女性意识,这也体现了洛伊坚持书写女性,发出女性自己声音的坚定信念。结语部分指出:洛伊对女性的书写批判了印度社会道德规范和社会秩序,传递出印度女性追求自由和两性平等的渴望。这种意识体现了洛伊作为女性作家为女性发声,致力于改善女性生存境遇的责任感与使命感。
[Abstract]:Arundhati Royn is one of the most popular contemporary Indian writers and the first female writer to win the British Booker Book Award. Her novel, the God of small things, shows the living conditions and living difficulties of contemporary Indian women by writing about the experiences of three generations of Indian women. Roy inherits, develops the female idea in the Indian traditional literature, and has the introspection. She criticized the oppression of women by religion, patriarchal norms and traditional social order, affirmed the female consciousness of resistance, and tried to explore and question the outlet of Indian women, all of which reflected her sense of responsibility and mission as a female writer. The thesis is divided into five parts: the introduction introduces the writer's life and creation, and the research of the God of the Micro matter at home and abroad. The first chapter discusses the living plight of Indian women in the Divine of Micro matter. They are subservient, despised, humiliated and subjected to violence at home and in society. They are either obedient to their fate, struggling against it, or full of confusion. Under the restraint of traditional religion and patriarchal oppression, their fate is often tragic. The second chapter discusses the value and significance of Roy's writing from the perspective of literary history, and analyzes the plight of contemporary Indian women from the perspective of reality. Roy inherited and developed the concept of women in traditional Indian literature and enriched the images of women in the gallery of literature and art through the writing of the rebels and the victims. Through the female sex and incest resistance, the novel embodies Roy's questioning and criticizing the Indian social ethics and order. The causes of the plight of modern and contemporary Indian women are the incompleteness of the Indian women's liberation movement, the disconnection between the legal system and the real life, and the emphasis on the role of women's "family" in the national and national discourse. Therefore, as Roy's works reflect, the liberation of contemporary Indian women is difficult. The third chapter uses feminist narratology theory to analyze the narration voice and author authority of Roy's creation, and the relation between narrative angle and female consciousness. Roy adopted the narration mode of author type and constructed the implied authorial authority by means of narrative intervention and the creation of mutual text. At the same time, narrators and characters pay attention to women, thus highlighting the female consciousness, which also reflects Roy's firm belief that she insists on writing women and sending out their own voices. The conclusion points out that Roy's writing of women criticizes Indian social morality and social order and conveys the desire of Indian women to pursue freedom and gender equality. This consciousness reflects Roy's sense of responsibility and mission as a female writer.
【学位授予单位】：深圳大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I351.074

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