颠覆“美国神话”:论《肯塔基组曲》中的暴力叙事

发布时间：2018-05-07 19:05

  本文选题：申堪 + 《肯塔基组曲》　； 参考：《当代外国文学》2016年03期

【摘要】：罗伯特·申堪的代表作《肯塔基组曲》1992年获得普利策戏剧奖,这组系列剧由9个短剧组成,讲述了肯塔基州东部坎伯兰高原上两大家族间两百多年的争斗与纠葛,构成了一部气势恢宏的家族史诗剧。本文以"暴力叙事"为切入点,通过分析这部长剧中罗文家族的恩怨和情感纠葛,揭橥隐匿于美国神话背后的种族、家庭、性别和生态等方面时隐时现的暴力问题,从而颠覆以"美国梦"、清教信仰和生态文明为代表的神圣的"美国神话"。
[Abstract]:Robert Schencan's masterpiece, Kentucky Suite, won the Pulitzer Prize for Drama in 1992. The series consists of nine short plays about more than two hundred years of fighting and entanglement between two families on the Cumberland plateau in eastern Kentucky. Constitute a magnificent family history of poetry play. Based on "violent narration", this paper analyzes the Luo Wen family's grudges and emotional entanglements in the minister's play, and reveals the hidden problems of violence in the aspects of race, family, gender and ecology, which are hidden behind American mythology. It subverts the sacred American myth represented by the American Dream, Puritan belief and ecological civilization.
【作者单位】： 南通大学外国语学院;
【基金】：江苏省哲学社会科学规划项目“多元文化语境下当代美国戏剧研究”(08WWB001)的阶段性成果
【分类号】：I712.073
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本文编号：1858105