让无声的古瓮发出声音——济慈《希腊古瓮颂》的艺格敷词与想象

发布时间：2018-05-07 20:20

本文选题：艺格敷词 + 《希腊古瓮颂》　；参考：《外国文学评论》2017年02期

【摘要】：济慈的《希腊古瓮颂》被认为是艺格敷词的经典范例,引发了众多批评家的分析和研究。斯皮策、克里格和赫弗南的三篇文献分别从视觉艺术向听觉艺术的转换、时间艺术向空间艺术的转换和视觉艺术再现之文学再现的角度对该诗作展开了批评。笔者认为,三位批评家提出的艺格敷词中的艺术转换和再现均为济慈的创造性想象提供了可能,而想象又是这三者存在的前提条件,由此构成了济慈《希腊古瓮颂》独特的艺格敷词美学。
[Abstract]:Keats's Ode to the Greek urn is regarded as a classic example of the application of the arts, which has aroused the analysis and research of many critics. Spitzer, Krieger and Hefernan's three works are criticized from the angle of the transformation from visual art to auditory art, from time art to space art, and from the perspective of literary reproduction of visual art reproduction. The author thinks that the artistic transformation and reproduction in the artistic application of the three critics provide the possibility for Keats's creative imagination, and imagination is the prerequisite for the existence of these three. This constitutes Keats' Ode to the Ancient Greek urn, a unique aesthetics of artistic affixing.
【作者单位】：北京师范大学外国语言文学学院;
【基金】：国家社科基金重点项目“欧美跨艺术诗学”(14AWW001)的阶段性成果
【分类号】：I561.072

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