早期革命文学的革命暴力叙述困境——以阳翰笙的小说创作为例

发布时间：2018-05-13 16:55

本文选题：阳翰笙 + 革命　；参考：《中国现代文学研究丛刊》2017年03期

【摘要】：在革命文学发展初期,阳翰笙的小说《马林英》中通过塑造女革命者形象、渲染阶级革命斗争氛围等方式,尝试建构叙述革命暴力的有效方式。与此同时,社会传统也在不断尝试破除女革命者形象,并试图将革命纳入平叛或剿匪等传统社会固有的暴力机制之中,从而将革命污名化。在《地泉》中,阳翰笙从树立阶级意识入手,为农村和城市工人革命暴力提供政治思想基础。然而小说中农民阶级意识的获得过程流于"浪漫蒂克",而工人的阶级意识则与民族主义杂糅共存,两种阶级意识都不够牢固。由此,阶级革命受到了不同力量的挑战,文学对革命暴力的叙述也遭遇了重重困境。
[Abstract]:In the early stage of the development of revolutionary literature, Yang Hansheng's novel Malin Ying tries to construct an effective way of describing revolutionary violence by portraying the image of female revolutionaries and exaggerating the atmosphere of class revolutionary struggle. At the same time, the social tradition is constantly trying to break down the image of female revolutionaries and try to bring the revolution into the anti-insurgency or bandit suppression and other traditional social inherent violence mechanism, so as to stigmatize the revolution. In Gequan, Yang Hansheng starts with class consciousness and provides political and ideological basis for revolutionary violence of rural and urban workers. However, the acquirement process of peasant class consciousness in the novel is "Romantic", while the class consciousness of workers is mixed with nationalism, and the two kinds of class consciousness are not firm enough. As a result, the class revolution was challenged by different forces, and the narrative of revolutionary violence in literature encountered numerous difficulties.
【作者单位】：中国人民大学文学院;
【分类号】：I207.42

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