《哈莱姆二重奏》的“呼与和”布鲁斯叙事研究

发布时间：2018-06-08 04:37

本文选题：丹尼尔·西尔丝 + 《哈莱姆二重奏》　；参考：《外国文学研究》2016年02期

【摘要】：《哈莱姆二重奏》是非裔加拿大女剧作家丹尼尔·西尔丝的经典代表作。在本剧中,作者巧妙地借用了布鲁斯音乐中"呼与和"的对比复调和模仿复调叙事技巧,将白人与黑人以及黑人内部复杂矛盾的种族关系和性别关系布局在该剧的叙事结构中。一方面探讨了黑人内部在种族、文化身份认同上的矛盾与困惑,传递了剧作家对黑人族裔前途命运的深沉之思;另一方面也拷问了当代社会黑人族裔遭受的种族及性别创伤,以独特的现实主义情怀解构了加拿大宣称的"多元文化"。通过"呼与和"演绎与变奏的叙事形式,西尔丝实现了从"黑人她者"的视角对莎士比亚《奥赛罗》的后殖民再写,开拓了基于非洲文化的创作模式,形成了独特的自我书写。
[Abstract]:The Harlem Duet is the classic masterpiece of African Canadian playwright Daniel Silth. In this play, the author skillfully borrows the contrastive polyphonic and polyphonic narrative techniques of "Huo and he" in the blues music, and puts the racial and gender relations of the complex contradictions between the white and the black as well as the black people in the narrative structure of the play. On the one hand, it probes into the contradictions and puzzles within black people in race and cultural identity, and conveys the playwright's deep thinking on the future and fate of black people, on the other hand, it also questions the racial and gender trauma suffered by black ethnic groups in contemporary society. It deconstructs what Canada calls "multiculturalism" with its unique realism. Through the narration form of interpretation and variation in "exhortation and harmony", Silas realized the post-colonial rewriting of Shakespeare's "Othello" from the perspective of "the Black other", opened up a creative model based on African culture, and formed a unique self-writing.
【作者单位】：北京科技大学外国语学院;北京科技大学外国学院;
【基金】：国家社会科学基金项目“战后英国戏剧中的莎士比亚研究”【项目批号:10BWW025】北京科技大学博士生科研基金项目“非裔加拿大女性剧作家丹尼尔.西尔丝的戏剧研究”【项目批号:06198095】的阶段性成果
【分类号】：I712.073

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