同场战争的“异质”书写—中国“抗美援朝”小说与韩国“战后”小说创作比较研究

发布时间：2018-06-15 01:14

本文选题：朝韩战争 + “抗美援朝”小说　；参考：《河北大学》2017年硕士论文

【摘要】：由五十年代朝鲜半岛的复杂战事所引发的中、韩两国战争文学的创作热潮,不仅在各自本国文学史中占据重要的地位,更是中韩文学交流史上相互关系从亲近密切到疏离中断的重要节点,然而关于这一特殊历史阶段中两国文学创作关系的对比研究却呈现出空白状态,一些文章中对于这一研究命题虽有所涉及,但专门的研究成果尚未出现。本论文试对这一特殊历史时期内两国各自的文学创作进行梳理比较,通过对双方作家群体的创作理念和表现重点、各类形象塑造所承载的战争体验等方面的全景把握和对相关代表作品的细致比对,探究两国战争文学的艺术品格和对文学、战争与人三者关系上的处理方式,分析总结两国彼时各自的文学创作特点,以期能够较为全面的勾勒出这一时期内两国创作的整体轮廓,切实论述“战后小说”与“抗美援朝”小说创作呈现出的差异及成因。本文共分为四章:第一章绪论部分概述了中韩两国彼此间的文学研究渊源及研究现状,即重要研究实绩多存在于古典文学领域,近现代文学研究相较式微,当代文学伊始则由于政治因素呈现大量空白,同时,本章还对战争历史背景进行了简述,引出“朝韩战争”这一概念;第二章论述了“抗美援朝”小说与战后小说虽根植于同一场战争,却呈现出了双重的创作语境:“抗美援朝”文学以高度统一的意识形态和强调阶级观点形成了特定历史时期内独特的战争文学繁荣景况,文人作家、军旅作家和从军将士是构成创作队伍三类主体,而“战后小说”则旨在揭露战争带来的物质破坏和精神创伤,探寻灾难的根源及摆脱悲剧的方法,对战争进行深刻而彻底的反思与控诉,作家队伍以“传统派”和“战后派”双浪并涌;第三章从军人、女性、儿童三个方面展开,对二者间形象类型的设置刻画进行分析,“抗美援朝”小说总体表现为军人形象为创作聚焦点且“标签化”、“脸谱化”严重,本国女性、儿童形象弱化缺失,与朝鲜民众形成亲缘“镜像”,“战后小说”则着墨较均,军人多为战场与社会中的“双重牺牲品”,女性与儿童成为表现重点和控诉战争悲剧、社会苦难的重要载体;第四章从叙事立场与视角出发,对二者进行归纳阐述,聚焦于战场的战地实录与战事还原和鲜明的“英雄话语”贯穿于“抗美援朝”小说创作始终,“战后小说”则有别于政治主旋律聚焦下英雄形象单一主体化的叙述模式,而是通过更为广域的社会视角透过不同阶级阶层、角色身份,展现韩国战后社会整体的衰败现实和复杂的战争“后遗症”;第五章对“抗美援朝”小说与“战后小说”创作呈现出的“异质”表现及其成因进行归纳总结,战争中所承担的不同客观身份、显现出的主观情绪差异以及所承担的相异文本功用共同构成了二者间文学创作的“异质”属性。
[Abstract]:Triggered by the complex war on the Korean peninsula in the 1950s, the creation of war literature between the two countries not only occupies an important position in the history of their own literature, It is also an important node in the history of Sino-Korean literature communication from closeness to alienation. However, the comparative study on the relationship between literary creation of the two countries in this special historical period presents a blank state. Although some articles are concerned about this research proposition, but the special research results have not yet appeared. This paper tries to comb and compare the literary creation of the two countries in this special historical period, through the creative ideas and performance of the two groups of writers. The panoramic grasp of the war experience carried by all kinds of images and the careful comparison of the relevant representative works, the exploration of the artistic character of the war literature of the two countries and the handling of the relationship between the literature, the war and the people, This paper analyzes and summarizes the characteristics of literary creation of the two countries at that time, in order to outline the overall outline of the creation of the two countries in this period, and to discuss the differences and causes of the creation of "postwar novels" and "resisting US aggression and aiding Korea". This paper is divided into four chapters: the first part of the introduction summarizes the literature research between China and South Korea and the current situation, that is, the important achievements in the field of classical literature, modern and modern literature research is relatively declining. At the beginning of contemporary literature, due to political factors, a large number of blank, at the same time, this chapter also briefly describes the historical background of the war, leading to the concept of "Korean War"; The second chapter discusses that the novels of "resisting US aggression and aiding Korea" and postwar novels are rooted in the same war. However, the literature of "resisting US aggression and aiding Korea" formed a unique prosperity of war literature in a specific historical period with a highly unified ideology and emphasis on class view. Military writers and military officers and men are the three main bodies of the creative team, while the postwar novel aims to expose the material destruction and mental trauma caused by the war, to explore the root causes of the disaster and to find ways to get rid of the tragedy. The writer team is full of "traditional school" and "postwar faction", the third chapter starts from the three aspects of military, female and child, and analyzes the setting and portrayal of the image type between them. The novels of "resisting US aggression and aiding Korea" generally show that the image of military personnel is the focal point of creation and "tagging", "facial makeup" is serious, the image of women and children in our country is weakened and missing, and they form the "mirror image" of relatives with the Korean people. In the postwar novels, most of the soldiers are "double victims" of the battlefield and the society, and women and children become the important carriers of the expression and the accusation of war tragedy and social suffering. Chapter four starts from the narrative standpoint and angle of view. Both of them are summarized and expounded. The battlefield record focused on the battlefield, the restoration of the war and the distinct "heroic discourse" run through the creation of the novel "resisting US aggression and aiding Korea". "postwar novels" is different from the narrative mode of the single subject of hero image under the focus of political theme, but through a broader social perspective through different class and class, role identity. The fifth chapter summarizes the "heterogeneity" and the causes of the "heterogeneity" in the novels of "resisting US aggression and aiding Korea" and "the postwar novels", and shows the reality of the Korean postwar society as a whole and the complex "sequelae" of the war. The different objective identities, the subjective emotional differences and the different text functions in the war constitute the "heterogeneity" of the literary creation between the two.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I106.4

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