论略萨小说的狂欢化

发布时间：2018-06-22 02:58

本文选题：略萨 + 狂欢化　；参考：《湘潭大学》2017年硕士论文

【摘要】：学术界关于巴尔加斯·略萨的研究,小说尤其长篇小说是核心部分。从内容到形式,涉及人物形象、思想主题、作品风格、叙述技巧、叙事结构。这的确十分符合巴尔加斯·略萨作为“结构美学开拓者”和“现实主义践行者”的身份。但正如歌德的名言“说不尽的莎士比亚”一样,研究略萨这位在创作中频出新招的拉美“爆炸文学”主将,亦具有多个维度的可能性与价值。如近年来出现了从文化人类学、伦理学、心理学、女性主义、后殖民主义等视角研究巴尔加斯·略萨小说的成果。但鲜有从巴赫金狂欢诗学理论的视角出发的研究,这为笔者提供了一个写作的空间。略萨的小说具有鲜明的狂欢化特征。首先,略萨笔下的人物大多具有“狂人”气质,他们在行为、语言、思想和情感等方面每每脱离常轨,成为不合时宜的怪人。与“狂人”形象密不可分的,是略萨小说中狂欢化的人物塑造手法。与传统小说擅长静态的外貌描写和心理刻画不同,略萨的小说喜用狂欢化的对话和情节,以此来诠释人物的狂欢化特征。其次,略萨运用了多种狂欢化的艺术手法来表现人物形象、反映现实生活。从小说的人物塑造手法到小说的语言、体裁再到时空模式无不体现着作家狂欢化艺术思维的雕琢。再次,略萨小说中的狂欢并不是荒诞不经的闹剧。狂欢的背后,渗透着作者对弱势群体的深切同情,对黑暗现实的无情鞭挞,对自由民主的热切渴慕。最后,略萨小说的狂欢化不是无源之水无本之木。其一,这是略萨本人生活经历的积淀。无论是自由不拘的狂欢式生活,还是压抑痛苦的独裁式生活,都培养了作家狂欢化的艺术思维,为他的创作提供了狂欢化的素材。其二,充斥着暴力、混乱和非理性的拉美社会现实也使得他的创作带上了狂欢化的色彩。其三,拉丁美洲、美国乃至欧洲文学史上优秀的狂欢化文学作品亦是其小说具有狂欢化特征一个重要因素。
[Abstract]:In academic research on Vargas Llosa, novels, especially novels, are the core part. From the content to the form, involves the character image, the thought theme, the work style, the narration skill, the narrative structure. This really accords with Vargas Llosa's status as "pioneer of structural aesthetics" and "practitioner of realism". But just like Goethe's famous saying Shakespeare, the study of Llosa, the master of Latin American "explosive Literature", has many dimensions of possibility and value. For example, in recent years, Vargas Llosa's novels have been studied from the perspectives of cultural anthropology, ethics, psychology, feminism and post colonialism. However, there are few studies from the perspective of Bakhtin's carnival poetics, which provides a writing space for the author. Lrissa's novels are characterized by revelry. First of all, most of the characters in Llosa's works have "madman" temperament, they often deviate from the norm in behavior, language, thought and emotion, and become anachronistic weirdo. Closely related to the image of "Mad Man", it is the carnival way of portraying characters in Llosa's novels. Unlike traditional novels, which are good at static description of appearance and psychological portrayal, Lrissa's novels prefer to use carnival dialogue and plot to interpret the characters' carnival characteristics. Secondly, Leusa used a variety of carnival artistic techniques to reflect the image of the characters, reflecting real life. From the character-shaping technique to the language, genre to time-space mode, it reflects the carve of the writer's carnival artistic thinking. Thirdly, the revelry in Llosa's novels is not an absurd farce. Behind the revelry, the author's deep sympathy for the disadvantaged group, the ruthless whipping of the dark reality and the fervent thirst for freedom and democracy are permeated. Finally, the revelry of Leusa's novels is not the wood without source water. First, this is the accumulation of his own life experience. Both the free and informal carnival life and the oppressive and painful autocratic life have cultivated the author's carnival artistic thinking and provided the material for his creation. Second, the violent, chaotic and irrational social reality of Latin America also makes his creation with a carnival color. Thirdly, the excellent carnival literature works in Latin America, America and even Europe are also an important factor in the carnival characteristics of his novels.
【学位授予单位】：湘潭大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I551.074

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