从“影响的焦虑”角度解读贝克特的《克拉普的最后一盘录音带》

发布时间：2018-06-23 11:58

  本文选题：影响的焦虑 + “误读”、“非戏剧化”和“螺旋”　； 参考：《当代戏剧》2017年02期

【摘要】：人类文学史是创作者在克服和超越先驱作家"影响的焦虑"中进行文学创新的不断积淀的过程。英国剧作家贝克特在剧作《克拉普的最后一盘录音带》中,运用"误读"、"非戏剧化"和"螺旋"等理论方法,克服和超越了受传统剧作家们在戏剧语言、技巧和结构三个方面的"影响的焦虑",创造性地确立了荒诞派戏剧的"反戏剧"形式,揭示了人类存在的荒诞和虚无,并使观众重新认识到作品中体现的艺术价值。
[Abstract]:The history of human literature is the process of creators' literary innovation in overcoming and surpassing the forerunner's anxiety of influence. British playwright Beckett, in his play "the Last recording of Krapp", uses the theoretical methods of "misreading", "undramatization" and "Spiral" to overcome and surpass the traditional playwrights in the dramatic language. The "anxiety of influence" in three aspects of skill and structure creatively establishes the form of "anti-drama" of the absurd drama, reveals the absurdity and nothingness of human existence, and makes the audience realize the artistic value embodied in the works.
【作者单位】： 青岛理工大学;
【分类号】：I561.073
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本文编号：2057050