薇依与古希腊悲剧传统
发布时间:2018-09-04 12:36
【摘要】:法国作家西蒙娜·薇依在二战期间创作三幕剧《被拯救的威尼斯》并宣称"自古希腊以来第一次重拾完美英雄的悲剧传统"。剧中的"完美英雄"的原型既追溯至古希腊三大悲剧诗人笔下的英雄传统,还追溯至柏拉图《理想国》中的完美义人形象和基督教福音书传统中的耶稣受难形象。通过构建现代戏剧与古典传统的内在关联,薇依不仅在古希腊哲学与基督教信仰这两大西方精神源头之间实现某种融会贯通,更是致力于从现代性精神困境出发寻求古典教诲的滋养。
[Abstract]:During World War II, French writer Simone Viyi wrote a three-act drama, "saved Venice" and declared that "for the first time since ancient Greece, the tragic tradition of the perfect hero has been restored." The archetype of the perfect Hero goes back to the heroic tradition of the three tragic poets in ancient Greece, the perfect righteous in Plato the Republic and the crucifixion in the tradition of Christian Gospels. By constructing the internal connection between modern drama and classical tradition, Vivian not only realizes some kind of fusion between ancient Greek philosophy and Christian belief, but also between the two major western spiritual sources. It is committed to seeking the nourishment of classical education from the spiritual predicament of modernity.
【作者单位】: 上海社会科学院宗教研究所;
【基金】:国家社科基金外国文学类一般项目“法国现代戏剧与古希腊传统研究”(16BWW070)课题成果
【分类号】:I565.073
,
本文编号:2222119
[Abstract]:During World War II, French writer Simone Viyi wrote a three-act drama, "saved Venice" and declared that "for the first time since ancient Greece, the tragic tradition of the perfect hero has been restored." The archetype of the perfect Hero goes back to the heroic tradition of the three tragic poets in ancient Greece, the perfect righteous in Plato the Republic and the crucifixion in the tradition of Christian Gospels. By constructing the internal connection between modern drama and classical tradition, Vivian not only realizes some kind of fusion between ancient Greek philosophy and Christian belief, but also between the two major western spiritual sources. It is committed to seeking the nourishment of classical education from the spiritual predicament of modernity.
【作者单位】: 上海社会科学院宗教研究所;
【基金】:国家社科基金外国文学类一般项目“法国现代戏剧与古希腊传统研究”(16BWW070)课题成果
【分类号】:I565.073
,
本文编号:2222119
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