《金钱——绝命书》与《伦敦原野》中的情色叙事及其反讽张力

发布时间：2018-10-09 14:37

【摘要】：《金钱——绝命书》和《伦敦原野》是当代英国小说家马丁·艾米斯的两部代表作,其中的情色叙事经常引发争议。《金钱——绝命书》以"色男"塞尔夫的情色经历作为小说叙事进程的主要推力,因为对"支配性男性气质"的复现与彰显而饱受非议,但是以性色交易为核心的叙事深层也是对传统男性气质认知的质疑与消解。《伦敦原野》以"荡妇"妮科拉与几位男性的情色欢娱作为叙事动力,其迎合与屈从男权的性别文化姿态颇受女权主义者的诟病,但是以色诱为情节推手的叙事深层也解构了刻板的女性气质认知。艾米斯的情色叙事在表层与深层之间维持着很强的反讽张力,对性别意识形态主题的呈现起到了深化与升华的作用。具有反讽张力的叙事模式是对二元对立性别气质认知的解构与颠覆,批判了后现代消费社会中两性关系的情感异化与精神歧途,寄托着小说家建构新性别气质的艺术理念。
[Abstract]:Money and the Field of London are two masterpieces of the contemporary British novelist Martin Amis. The erotic narration is often controversial. "Money-Destiny" takes Self's erotic experience as the main thrust of the narrative process of the novel, because of the reappearance and manifestation of "dominant masculinity". But the narration with the sex trade as the core is also the questioning and dispelling of the traditional masculinity cognition. < London Plain > takes "slut" Nicola and several men's erotic entertainment as the narrative motive force. His sexual cultural posture of pandering to and subservient to male power has been criticized by feminists, but the narration of seducing as plot pushing hand also deconstructs stereotyped female temperament. The erotic narration of Ames maintains a strong ironic tension between the surface and the deep, and plays a role in deepening and sublimating the theme of gender ideology. The narrative mode with ironic tension is the deconstruction and subversion of the cognition of dualistic opposite gender temperament, criticizes the emotional alienation and spiritual misguided path of the relationship between the two sexes in the post-modern consumer society, and assigns the artistic idea of the novelist to construct the new gender temperament.
【作者单位】：上海外国语大学文学研究院;上海外国语大学;
【基金】：上海外国语大学校级重点项目“当代英国小说史”【项目批号:KX161061】的阶段性成果上海市Ⅰ类高峰学科(外国语言文学)建设项目成果
【分类号】：I561.074

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