恶灵之爱与弥赛亚的背叛——对S.昂斯基戏剧《恶灵,或介于两个世界之间》一种托寓式解读
发布时间：2019-01-17 11:19
【摘要】：本文对意第绪语作家S.昂斯基于1913年创作的戏剧《恶灵,或介于两个世界之间》从托寓的角度进行解读,认为作者在这部剧作中植入了完整的17世纪沙巴特运动的框架,意在曲折说明其同时代犹太人的信仰与17世纪犹太人对假弥赛亚的信仰类似,二者皆不能把他们从现世的痛苦中解救出来。同时,通过传统的内容与戏剧这种象征现代性的艺术形式的结合,作者表达了他对现代世界中留存的传统犹太宗教和生活的复杂态度。
[Abstract]:In this paper, the author of Yiddish language, S. Based on the 1913 play "evil spirit, or between the two worlds", he interprets it from the perspective of trust and believes that the author has implanted a complete framework of the 17th century Shabart movement in this play. It is intended that their contemporary Jewish faith is similar to the 17 th century Jewish belief in false messiah, and neither of them can save them from the suffering of this world. At the same time, through the combination of traditional content and drama, the artistic form of symbolizing modernity, the author expresses his complex attitude towards the traditional Jewish religion and life in the modern world.
【作者单位】： 美国哥伦比亚大学日耳曼语言文学系;美国哥伦比亚大学比较文学与社会研究所;
【分类号】：I106.3
本文编号：2410010
[Abstract]:In this paper, the author of Yiddish language, S. Based on the 1913 play "evil spirit, or between the two worlds", he interprets it from the perspective of trust and believes that the author has implanted a complete framework of the 17th century Shabart movement in this play. It is intended that their contemporary Jewish faith is similar to the 17 th century Jewish belief in false messiah, and neither of them can save them from the suffering of this world. At the same time, through the combination of traditional content and drama, the artistic form of symbolizing modernity, the author expresses his complex attitude towards the traditional Jewish religion and life in the modern world.
【作者单位】： 美国哥伦比亚大学日耳曼语言文学系;美国哥伦比亚大学比较文学与社会研究所;
【分类号】：I106.3
【相似文献】
相关期刊论文 前2条
1 宁静;洪增流;;从上帝之爱到人间之爱——凯瑟琳·安·波特宗教主题的《圣经》原型解读[J];合肥工业大学学报(社会科学版);2010年02期
2 ;[J];;年期
，本文编号：2410010
本文链接：https://www.wllwen.com/xiandaiwenxuelunwen/2410010.html
