《蝴蝶君》的后殖民女性主义解读

发布时间：2019-05-09 14:16

【摘要】：《蝴蝶君》是黄哲伦的代表作,体裁为戏剧。黄哲伦创作这部戏剧的灵感来自于当时的一则新闻,一个法国外交官爱上了一个中国的女演员,而这个女演员后来却被证明她不仅仅是个间谍还是个男人。黄哲伦将这个新闻与歌剧《蝴蝶夫人》联系起来,并对其进行解构。这部戏剧涉及到民族和种族、东方与西方、性别和政治、身份和认同、殖民与后殖民,以及其他重大命题。并且,由于宋丽伶这个特殊的角色—男扮女装,从而《蝴蝶君》也表现出一定的女性主义的因素与观点。然而,关于《蝴蝶君》的国内研究大多聚焦于解构主义、后殖民主义以及其他视角,针对女性主义因素的研究成果较少,由后殖民主义视角分析其中的女性主义观点的研究则更甚。本文将主要从后殖民主义视角分析体现于《蝴蝶君》中的女性主义观点。本文主要包括以下几个方面。第一章针对黄哲伦和《蝴蝶君》进行概述,并说明本文的研究目的和研究背景。第二章介绍《蝴蝶君》的文献综述和相关的后殖民主义和女性主义理论——后殖民女性主义。本文运用后殖民女性主义理论从后殖民主义视角分析女性主义观点。第三章对《蝴蝶君》展开后殖民主义分析。本文主要分析《蝴蝶君》中体现的边缘化和话语颠覆等后殖民主义的内容。第四章主要分析后殖民女性主义中的另一个重要内容——女性主义。本文将针对东方女性的刻板形象、女性的“物化”、雌雄同体这几个方面展开讨论。第五章对本文进行总结,并指出本研究的理论和现实意义,以及研究局限与未来的研究方向。
[Abstract]:The Butterfly King is the representative work of Huang Zhelan, whose genre is drama. The drama was inspired by news that a French diplomat fell in love with a Chinese actress who later proved to be not just a spy but a man. Hwang linked the news to the opera Lady Butterfly and deconstructed it. The play deals with nationality and race, East and West, gender and politics, identity and identity, colonization and post-colonialism, and other major propositions. Moreover, because Song Liling, a special role, dressed as a woman, Butterfly also showed a certain feminist factor and point of view. However, most of the domestic studies on Butterfly focus on Deconstructionism, Post-colonialism and other perspectives, and the research results on feminist factors are less. The study of feminism from the perspective of post-colonialism is even worse. This paper will analyze the feminism in Butterfly King from the perspective of post-colonialism. This paper mainly includes the following aspects. The first chapter summarizes Huang Zhelan and Butterfly, and explains the purpose and background of this study. The second chapter introduces the literature review of Butterfly and the related theories of post-colonialism and feminism-post-colonial feminism. This article uses the post-colonial feminism theory to analyze the feminist view from the perspective of post-colonialism. The third chapter analyzes the post-colonialism of the Butterfly King. This paper mainly analyzes the content of post-colonialism such as marginalization and discourse subversion in Butterfly. The fourth chapter mainly analyzes another important content of post-colonial feminism-feminism. This paper will discuss the stereotype of oriental women, the materialization of women, androgyny. The fifth chapter summarizes this paper, and points out the theoretical and practical significance of this study, as well as the limitations and future research direction.
【学位授予单位】：天津理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I712.073

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