古巴的华裔家族传奇——《猎猴记》中的离散身份政治与空间表征
发布时间：2019-05-09 19:26
【摘要】：古巴裔美国作家克里斯蒂娜·加西娅的华裔家族传奇《猎猴记》以非洲黑奴制与亚洲劳工制的历史联结为背景,以华工陈潘只身移民古巴为原型,再现了华工背井离乡来新世界谋生的移民史,以及其后代更复杂的空间位移所折射出的华人离散史。通过描写陈潘在不同场域的生活,加西娅将古巴殖民社会不平等的种族关系以及非裔与华裔群体的联合以空间表征的方式呈现出来,在批判(新)殖民权力的同时,呈现出历史性、社会性和空间性的三元统一。陈潘后代所做的跨越太平洋以及横亘美洲的空间位移则把空间想象与情感归属纳入了离散身份构建的语境,从而解构了母国和移民国之间的二元关系,表明离散者日益增强的流动性使离散身份面临更复杂的构建过程。
[Abstract]:The Legend of Monkey Hunting, the Legend of Chinese-American writer Christina Garcia, takes the historical connection between African black slavery and Asian labor system as the background, and takes Chen Pan, a Chinese worker, as the prototype of emigrating to Cuba alone. It reproduces the immigration history of Chinese workers who have left their homes to make a living in the new world, as well as the history of Chinese dispersion reflected by the more complex spatial displacement of their descendants. By describing Chen Pan's life in different fields, Garcia presented the unequal racial relations in the Cuban colonial society and the union of the African and Chinese ethnic groups in a spatial representation, while criticizing (new) colonial power. Showing a historical, social and spatial three-way unity. The spatial displacement made by Chen Pan's descendants across the Pacific and across America brings spatial imagination and emotional ownership into the context of discrete identity construction, thus deconstructing the dual relationship between the home country and the Republic of China. It is shown that the increasing liquidity of discretizers makes discrete identity face a more complex construction process.
【作者单位】： 杭州师范大学外国语学院;
【基金】：浙江省教育厅科研项目“美洲亚裔文学研究”(Y20143122) 浙江省哲学社会科学项目“美洲华裔离散语境中的女性身体政治研究”(16NDJC067YB)的阶段性成果
【分类号】：I712.074
本文编号：2473024
[Abstract]:The Legend of Monkey Hunting, the Legend of Chinese-American writer Christina Garcia, takes the historical connection between African black slavery and Asian labor system as the background, and takes Chen Pan, a Chinese worker, as the prototype of emigrating to Cuba alone. It reproduces the immigration history of Chinese workers who have left their homes to make a living in the new world, as well as the history of Chinese dispersion reflected by the more complex spatial displacement of their descendants. By describing Chen Pan's life in different fields, Garcia presented the unequal racial relations in the Cuban colonial society and the union of the African and Chinese ethnic groups in a spatial representation, while criticizing (new) colonial power. Showing a historical, social and spatial three-way unity. The spatial displacement made by Chen Pan's descendants across the Pacific and across America brings spatial imagination and emotional ownership into the context of discrete identity construction, thus deconstructing the dual relationship between the home country and the Republic of China. It is shown that the increasing liquidity of discretizers makes discrete identity face a more complex construction process.
【作者单位】： 杭州师范大学外国语学院;
【基金】：浙江省教育厅科研项目“美洲亚裔文学研究”(Y20143122) 浙江省哲学社会科学项目“美洲华裔离散语境中的女性身体政治研究”(16NDJC067YB)的阶段性成果
【分类号】：I712.074
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