《平家物语》中的服饰描写研究
发布时间：2019-06-20 03:45
【摘要】：《平家物语》是日本古典文学的代表作。《平家物语》主要描写了从天承二年(1132)平忠盛升殿开始到建久九年(1198)六代被斩为止的历史事件,物语化地讲述了平家一门总揽朝纲,源氏一族起兵反对,平家败北乃至被灭门等等。物语中的登场人物有天皇、法皇、公卿贵族、僧侣、武将、平民等等,人物众多且身份多样。所着服饰也多种多样。《平家物语》中用大量的笔墨进行了服饰描写,描绘了天皇、公家、武家、僧侣的服饰,并且详细描写了武士的武具(包括刀具、马具)。本论文不同于以往学者们对《平家物语》的作者、成立、物语版本的考证、物语中的佛教思想、人物形象、生死、物语与史实的关系、作为军记物语的《平家物语》、和歌、女性、讲唱等的研究,着重对《平家物语》中的服饰描写进行了考察。《平家物语》中的服饰描写使作品更加丰富多彩,关于这一点已有学者指出过,但是关于服饰描写本身所具有的文学意义、服饰描写的特征,以及服饰描写与作品内部生命的关联的研究并不多,所以说对于作品整体的理解还有很大的研究空间。本论文通过通读原作,先归纳了《平家物语》中所有的服饰描写,然后具体分析了每一处服饰描写的方法及特征,最后与王朝时期文学作品中的服饰描写方法进行了对比分析。通过对《平家物语》中服饰描写的分类、归纳总结、具体分析,发现作品中的服饰描写主要是为了人物造型以及烘托故事情节,作品中服饰描写具有表现人物身份、表现人物性格、表达人物心理三大主要特征。本文通过对《平家物语》中服饰描写的研究,力求把握本作品中服饰描写的文学意义。
[Abstract]:Pingjia object language is the representative work of Japanese classical literature. Pingjia object language mainly describes the historical events from the beginning of Tiancheng (1132) Pingzhong Sheng Temple to the nine years (1198) six generations were chopped up, and describes the Pingjia family's general command of the Korean platform, the opposition of the Yuan family, the defeat of the Pingjia family and even the destruction of the door, and so on. The characters in the material language are the emperor, the aristocrat, monks, generals, civilians and so on, with many characters and diverse identities. There are also a variety of costumes. In Pingjia object language, a large number of pens and ink are used to describe the costumes of the emperor, the public, the martial arts and the monks, and the martial arts of the samurai (including knives, horses) are described in detail. This paper is different from the previous scholars' research on the author, establishment, textual research of the material language version, the Buddhist thought, the character image, the life and death, the relationship between the material language and the historical facts, as the "Pingjia material language", and the song, the female, the speaking and singing, etc., this paper focuses on the clothing description in the Pingjia material language. The dress description in the Pingjia material language makes the work more colorful and colorful. Some scholars have pointed out this point, but there is not much research on the literary significance of dress description itself, the characteristics of dress description, and the relationship between dress description and internal life of the work, so there is still a lot of research room for the understanding of the whole work. Through reading through the original works, this paper first sums up all the clothing descriptions in Pingjia object language, then analyzes the methods and characteristics of each dress description concretely, and finally compares them with the dress description methods in the literary works of the dynasty period. Through the classification, summary and concrete analysis of clothing description in Pingjia object language, it is found that the dress description in the work is mainly for the purpose of character modeling and setting off the story plot. The clothing description in the work has three main characteristics: expressing character identity, expressing character and expressing character psychology. Through the study of dress description in Pingjia object language, this paper tries to grasp the literary significance of dress description in this work.
【学位授予单位】：长春理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I313.06
本文编号：2502893
[Abstract]:Pingjia object language is the representative work of Japanese classical literature. Pingjia object language mainly describes the historical events from the beginning of Tiancheng (1132) Pingzhong Sheng Temple to the nine years (1198) six generations were chopped up, and describes the Pingjia family's general command of the Korean platform, the opposition of the Yuan family, the defeat of the Pingjia family and even the destruction of the door, and so on. The characters in the material language are the emperor, the aristocrat, monks, generals, civilians and so on, with many characters and diverse identities. There are also a variety of costumes. In Pingjia object language, a large number of pens and ink are used to describe the costumes of the emperor, the public, the martial arts and the monks, and the martial arts of the samurai (including knives, horses) are described in detail. This paper is different from the previous scholars' research on the author, establishment, textual research of the material language version, the Buddhist thought, the character image, the life and death, the relationship between the material language and the historical facts, as the "Pingjia material language", and the song, the female, the speaking and singing, etc., this paper focuses on the clothing description in the Pingjia material language. The dress description in the Pingjia material language makes the work more colorful and colorful. Some scholars have pointed out this point, but there is not much research on the literary significance of dress description itself, the characteristics of dress description, and the relationship between dress description and internal life of the work, so there is still a lot of research room for the understanding of the whole work. Through reading through the original works, this paper first sums up all the clothing descriptions in Pingjia object language, then analyzes the methods and characteristics of each dress description concretely, and finally compares them with the dress description methods in the literary works of the dynasty period. Through the classification, summary and concrete analysis of clothing description in Pingjia object language, it is found that the dress description in the work is mainly for the purpose of character modeling and setting off the story plot. The clothing description in the work has three main characteristics: expressing character identity, expressing character and expressing character psychology. Through the study of dress description in Pingjia object language, this paper tries to grasp the literary significance of dress description in this work.
【学位授予单位】：长春理工大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I313.06
【参考文献】
相关期刊论文 前1条
1 林岚;《平家物语·敦盛之死》的美学意识[J];日本学论坛;2000年03期
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