川端康成和莫言小说中的女性形象比较研究

发布时间：2017-12-28 01:07

本文关键词：川端康成和莫言小说中的女性形象比较研究　出处：《陕西师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：日本作家川端康成和中国作家莫言是获得诺贝尔文学奖的两位重要的东方作家。细读他们的作品,可以发现,他们所塑造的女性形象生动丰满,且具十分典型的意义。这些女性人物在文学王国里闪耀着迷人的光芒。据资料显示,对这两位作家笔下的女性形象进行比较研究的论文还不多,所以,以此探讨应该有一定的创新性。本论文将以两位作家小说中女性形象为具体研究对象,比较他们小说中女性形象的不同的美、不同的性爱、不同的命运、不同的死亡及其不同的审美成因。本论文的结构主要分为以下几个部分：其一,绪论部分。它对川端康成和莫言两位作家进行简要介绍。进而简论对这两位作家的作品进行比较研究得以成立的基础。关于这两位作家的各自研究资料十分丰富,但将两者进行比较研究方面却不多见,特别是关于他们笔下的女性形象的比较研究则少之甚少。因此,对川端康成和莫言小说中的女性形象进行较为详尽地比较研究,将更有利于把握两位作家的作品内涵；更有利于了解中日文学的不同艺术特质；更有利于认识中日不同文化中的审美趣味。其二,论文主体,它又分为五个部分。第一部分主要论述川端康成和莫言小说中的女性形象及其不同的美。首先从二战时期社会地位比较低的女性形象及战争结束后拥有一定经济基础的女性形象两个方面来概述川端康成小说中的女性形象。举例分析作品中女性洁净明朗之美、圣洁神秘之美和纯洁烂漫之美。其次从善良纯洁的少女、野性叛逆的女性和勇敢坚韧的女性来概述莫言小说中的女性形象,分析莫言笔下高密东北乡女性的瑰丽壮美。最后将川端康成与莫言小说中的女性之美进行比较,分析两者之间的相同点和不同点。第二部分主要对川端康成和莫言小说中所描写的女性性爱进行比较分析。论述川端康成和莫言小说中女性的爱情观和性态度以及所描写的精神之爱、情与性的统一,以此论述他们所写女性的同异。第三部分主要是对川端康成和莫言小说中女性的命运比较分析。通过小说的细读,可以看出女性在现实生活环境、生存状态、女性自身性格、看待生活的态度、女性生活经历等方面都存在差异,这些差异呈现在命运趋向上,则存在着不同的特点。第四部分是对川端康成和莫言小说中女性的死亡问题进行比较分析。通过具体文本细读,分别叙述和分析川端康成与莫言小说中女性人物的死亡及其精神内涵,并论述两位作家小说中女性死亡的异同。第五部分探析川端康成和莫言小说中女性形象及性格异同的审美成因。论文有三个角度,第一,从幼年生活经历而形成的“孤儿情结”和独特的审美意识来分析川端康成小说中女性性格的审美成因。第二,从独特的童年生活经历和山东高密传统文化的影响来分析莫言小说中女性性格的审美成因。第三,从两位作家不同的文化影响方面分析他们所写小说中的女性性格异同的审美成因。在小说创作上,人物形象地成功塑造对于作品取得成功十分重要。川端康成和莫言的小说在对女性人物形象地刻画极为成功,创造出了一系列具有典型性的女性人物。以多角度研究他们笔下的女性人物,对于了解他们二人的文学创作观、审美意识以及不同民族的传统文化都有特别的意义。因此,比较研究川端康成和莫言这两位作家小说中的女性人物,显然是具有非常重要的研究价值和意义。
[Abstract]:Kawabata Yasunari, a Japanese writer and Chinese writer Mo Yan, are the two important Oriental writers to win the Nobel prize for literature. Reading their works carefully, it can be found that the female images they have created are vivid and full, and have a very typical meaning. These female characters glittering in the literary kingdom. According to the data, there are not many papers on the comparative study of the female images written by the two writers, so it should be innovative. This thesis will take the images of women in two writers as the specific research objects, and compare the different beauty, different sexual love, different fate, different death and their different aesthetic causes of the female images in their novels. The structure of this paper is divided into the following parts: first, the introduction part. It gives a brief introduction to the two writers of Kawabata Yasunari and Mo Yan. And then the foundation of the comparative study of the works of the two writers is put forward. About the two writers, their research materials are very rich, but few of them are comparing them. Especially, the comparative study of their female characters is very few. Therefore, the image of women in the novels of Kawabata Yasunari and Mo Yan has a detailed comparative study, will be more conducive to grasp the connotation of the works of the two writers; more conducive to understanding the Japanese literature in different artistic characteristics; more conducive to the understanding of Japanese aesthetic taste in different cultures. Secondly, the main body of the paper is divided into five parts. The first part mainly discusses the female image and its different beauty in the novels of Kawabata Yasunari and Mo Yan. First, from the two aspects of the World War II women's image with low social status and the female images with certain economic foundation after the war, we summarize the images of women in Kawabata Yasunari's novels. An example of the beauty of clean and clear women, the beauty of holy and mysterious and the beauty of purity and innocence in the works. Secondly, from the good and pure girls, the wild rebellious women and the brave and tough women, we summarize the feminine images in Mo Yan's novels, and analyze the magnificent beauty of Mo Yan's hometown in Northeast China. In the end, we compare the beauty of women in Kawabata Yasunari's and Mo Yan's novels, and analyze the similarities and differences between them. The second part makes a comparative analysis of the female sex depicted in Kawabata Yasunari and Mo Yan's novels. This paper discusses the love and sexual attitudes of women in Kawabata Yasunari's and Mo Yan's novels, and describes the unity of spiritual love, love and sex, so as to discuss their similarities and differences. The third part is mainly the comparative analysis of the fate of women in the novels of Kawabata Yasunari and Mo Yan. Through the close reading of the novel, we can see that there are differences in women's real life environment, living condition, women's own character, attitude towards life and women's life experience. These differences show different characteristics in the trend of fate. The fourth part is a comparative analysis of the death of women in Kawabata Yasunari and Mo Yan's novels. Through detailed reading, the death and spiritual connotation of the female characters in Kawabata Yasunari and Mo Yan's novels are respectively described and analyzed, and the similarities and differences of the female deaths in the two writers' novels are discussed. The fifth part analyses the aesthetic causes of the similarities and differences of female images and personality in Kawabata Yasunari and Mo Yan's novels. The thesis has three perspectives. First, the aesthetic origin of the female character in Kawabata Yasunari's novels is analyzed from the orphan complex and the unique aesthetic consciousness formed by her childhood experience. Second, from the unique childhood experience and the influence of the traditional culture of Shandong Gaomi to analyze the aesthetic causes of the female character in Mo Yan's novels. Third, from the different cultural influences of the two writers, the author analyzes the aesthetic causes of the similarities and differences of the female characters in the novels they write. In the novel creation, the successful portrayal of the characters is very important to the success of the works. Kawabata Yasunari and Mo Yan's novels have been very successful in portrayed female characters, creating a series of typical female characters. It is of great significance for them to understand their two women's literary creation, aesthetic consciousness and traditional culture of different nationalities. Therefore, it is of great importance and significance to compare the female characters in the two writers' novels by Kawabata Yasunari and Mo Yan.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I106.4-03

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