从空间批评理论角度解析《跨界》主人公简四的文化身份认同

发布时间：2017-12-31 17:36

本文关键词：从空间批评理论角度解析《跨界》主人公简四的文化身份认同　出处：《天津理工大学》2013年硕士论文　论文类型：学位论文

【摘要】：庄华的《跨界》在亚裔美国文学史上占有举足轻重的地位，被称作“亚裔美国文学的第一部现代主义小说”。讲述的是一个来自上层移民社会的华裔女孩因物理空间的变换而引发的心理空间变化。文章主要选取亨利·列斐伏尔的空间实践、空间再现及再现的空间理论，结合爱德华索亚的第一空间，第二空间，和第三空间理论来解析简四所经历的种种空间变化。本文将以索亚的三个空间层次为纲对简四的空间之旅展开分析。文中女主人公简四实际生活在三个空间维度中：处于现实生活中的物理空间，即列斐伏尔提出的空间实践，索亚提出的第一空间；时刻在脑海中浮现的记忆中的心理空间，即列斐伏尔的空间再现，索亚的第二空间；以及现实世界和幻想（记忆中的）世界交错而成的简四本人实际经历的空间，即列斐伏尔的再现的空间，，索亚的第三空间。简四始终在现实与想象中穿梭，即第一空间与第二空间中穿梭，而在她的身体内（列斐伏尔认为每个人的身体都是一个内在的空间）产生了一个融合了第一和第二空间的第三空间。随着多空间的变换，体现的是简四对自己身份的探索，她不断思考寻找着自己的身份归属。在用列斐伏尔和索亚的空间批评理论解析简四的身份认同过程的同时，本文另辟一章来分析庄华在塑造不同空间转换时候所运用的写作手法及技巧，如自由联想、视角转换、动词省略、回环顶针及电影手法的运用。这些技巧的使用弥合了两种空间互相转换时的突兀，使两种空间紧密相连。综上所述，本文共分为五章。第一章包括作者简介、小说简介、小说出版时的社会背景、现有的小说研究成果及本文的基本框架。第二章首先介绍亨利·列斐伏尔的主要空间理论：概念三角、绝对空间及抽象空间；然后介绍爱德华·索亚的三个空间理论，借以展开小说主人公简四的第一、第二、第三空间之旅。第三章主要分析文章的写作手法。第四章阐释简四的文化身份及身份认同。第五章为全文的观点总结。
[Abstract]:Zhuang Hua's Cross-Border plays an important role in the history of Asian American literature. Called "the first modernist novel of Asian American literature", it is about the change of psychological space caused by the change of physical space of a Chinese girl from the upper class immigrant society. The article mainly selects Henry Lefeivoll's spatial practice, spatial reproduction and reappearance of the spatial theory, combined with Edward Sawyer's first space, the second space. And the third space theory to analyze the spatial changes experienced by Jane four. This paper will analyze the three spatial levels of Sawyer. The heroine Jane four actually lives in three dimensions of space: the physical space in real life, the space practice put forward by Lefephere, the first space put forward by Sawyer; The mental space in the memory that always comes to mind, that is, the reappearance of Lefefort's space, the second space of Sawyer; As well as the real world and fantasy (memory) world staggered from the actual experience of the space of Jane four, that is, the reappearance space of Lefefort, the third space of Sawyer. Jane four always shuttles between reality and imagination. Namely the first space and the second space shuttle. And in her body (Lefeivoll believes that each person's body is an inner space) there is a third space that combines the first and second spaces. It is Jane's exploration of her own identity, and she is constantly thinking about her identity. While using the space criticism theory of Lefeivoll and Sawyer to analyze the process of the identity of Jane four, this paper makes a separate chapter to analyze the writing techniques and techniques used by Zhuang Hua in shaping the transformation of different spaces. Such as free association, angle of view conversion, verb ellipsis, loop thimble and the use of film techniques. The use of these techniques to bridge the two kinds of space when the abrupt transformation, so that the two spaces are closely linked. In summary, this paper is divided into five chapters. The first chapter includes the introduction of the author, the introduction of the novel, and the social background of the novel when it was published. The second chapter introduces the main space theory of Henry Lefefort: concept triangle, absolute space and abstract space; And then introduce Edward Sawyer's three theories of space, so as to develop the first and second of Jane four, the protagonist of the novel. The third chapter mainly analyzes the writing techniques of the article. Chapter 4th explains the cultural identity and identity of Jane IV. Chapter 5th is a summary of the views of the full text.
【学位授予单位】：天津理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074

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