论《欲望号街车》的狂欢化特点

发布时间：2018-01-08 06:29

本文关键词：论《欲望号街车》的狂欢化特点　出处：《郑州大学》2013年硕士论文　论文类型：学位论文

【摘要】：田纳西.威廉斯(1911-1983)是二战以后美国最著名的戏剧家之一。自他的作品第一次出现在美国戏剧舞台上以来,始终不乏对于他本人以及他的作品的各种批评研究。直到今天,他个人及作品的魅力仍然吸引众多学者的关注。《欲望号街车》(1949)以其引人入胜的情节、独特的人物性格以及作者对人物不加主观判断等出色之处为威廉斯带来了巨大荣誉,先后为他赢得普利策奖、唐纳森奖和纽约戏剧评论家协会奖。学者们对该剧进行了深入的研究,但剧中一些符合狂化化理论的成分,如加冕脱冕情节、怪诞性、不合时宜的言行、极端境界等并没有得到应有的关注。该论文试图运用俄国学者米哈伊尔·巴赫金提出的狂欢化理论证明《欲望号街车》具有明显的狂欢化特色,并尝试探索其功能。该论文分为五个部分。引言部分介绍了剧作家田纳西·威廉斯,对《欲望号街车》的研究现状进行了简单总结,并指出本文的研究目的和意义。第一章简要介绍了巴赫金的狂欢化理论,从加冕-脱冕仪式,狂欢式世界感受和梅尼普体的特点三个方面为该论文做理论准备。第二章通过对狂欢节上对狂欢国王加冕-脱冕仪式的分析探讨布兰奇和斯坦利之间的冲突。两人都想通过给对方脱冕而维持自己的权威。布兰奇通过谎言和幻想维持自己的高贵地位,但最终被斯坦利无情揭穿和毁灭以至于被彻底脱冕。斯坦利用暴力和强大的男性气概得到妻子和朋友的加冕,但布兰奇的到来剥夺了他的特权,夺走他妻子和朋友的关怀,甚至将其脱冕到非人类的地步。第三章证明了《欲望号街车》表达了“狂欢式的世界感受”。巴赫金认为在狂欢节的发展过程中,人们逐渐形成一种狂欢式的世界感受,它和官方的严肃性相对立。本章谈到这种感受的三个范畴：自由的狎昵交往,怪诞性和狂欢式不对等婚姻。第四章主要探讨了《欲望号街车》的体裁特点。梅尼普体是狂欢化文学的一种重要体裁,《欲望号街车》呈现了梅尼普体的六个重要特点。结论部分对以上章节内容做出概括总结并由此对《欲望号街车》的狂欢化特点的功能做出解释,由于狂欢精神在于体现再生、追求自由和平等,作品呈现的狂欢化特点帮助剧作家表达出压抑的情感和对未来的希望。
[Abstract]:Tennessee Williams (1911-1983) is the United States after World War II, one of the most famous dramatists. Since his works first appeared in American drama, always some for himself and his works on the criticism. Until today, and his personal charm works still attract the attention of many scholars.
< > A Streetcar Named Desire (1949) with its fascinating plot, unique characters and the characters without subjective judgment excellence has brought great honor for Williams, he has won the Pulitzer prize, the Donaldson prize and New York Drama Critics Association Awards. Scholars have conducted in-depth research on the play, but play with some mad theory components, such as decrowning and crowning the plot, grotesque, extreme realm be inopportune or inappropriate words and deeds, have not received due attention. This paper attempts to use the theory of carnivalization Russian scholar Mikhail Bakhtin proposed that "A Streetcar Named Desire > has the obvious characteristics of the carnival, and try to explore its function.
The paper is divided into five parts.
The introduction part introduces the research status of Tennessee playwright Williams, on "A Streetcar Named Desire" is simply summarized, and points out the purpose and significance of this study.
The first chapter briefly introduces the theory of Carnival of Bakhtin, and makes preparations for the thesis from three aspects: the coronation, the coronation ceremony, the carnival world experience and the characteristics of the mernex body.
The second chapter through the analysis of Carnival Carnival on the coronation of King - decrowning ritual on the conflict between Blanche and Stanley. Two people want to give each other by decrowning and maintain his authority. Blanche through the lies and fantasy to maintain their noble status, but eventually Stanley ruthlessly expose and destroy that was completely decrowning Stanley with violence and strong masculinity has been crowned wife and friends, but the arrival of Blanche deprived him of his privileges, he took his wife and friends, even the decrowning to non human proportions.
The third chapter proves that "A Streetcar Named Desire expression >" Carnival sense of the world. "Bakhtin believes in the development process of the carnival, people gradually formed a carnival sense of the world, its seriousness and official opposition. This chapter addresses three categories: this feeling by their interaction the grotesque, and Carnival type unequal marriage.
The fourth chapter mainly discusses the characteristics of the genre "A Streetcar Named Desire." meinipu genre is an important genre of Carnival literature, "A Streetcar Named Desire > presents six important features of meinipu genre.
The conclusion of the above chapters make a summary and so on "A Streetcar Named Desire" Carnival features the function of explanation, the carnival spirit lies in the pursuit of freedom and equality, regeneration, Carnival features works to help express the playwright pent up emotions and hope for the future.

【学位授予单位】：郑州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.073

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