一种不真实到另一种的逃逸—拉康精神分析视野下的《故园风雨后》

发布时间：2018-01-09 20:25

本文关键词：一种不真实到另一种的逃逸—拉康精神分析视野下的《故园风雨后》　出处：《北京外国语大学》2015年硕士论文　论文类型：学位论文

【摘要】：伊夫林·沃(1903-1966)是二战后英国重要小说家之一。1928年出版的小说《衰落与瓦解》奠定了他优秀讽刺小说家的地位。而1945年二战胜利后出版的小说《故园风雨后》则标志了沃风格的转变-在这部小说中,叙事主人公查尔斯在战争中偶然重返弗莱特勋爵一家旧居布赖兹赫德,此次重访引发了其对与弗莱特勋爵一家往来的回忆,对往事的追忆浸透着今不如昔的调子,主要人物最后也都以皈依天主收场。沃在这部小说中一改以往玩世不恭的轻松文笔,小说的内容和主题也从臧否人物、讽刺世情变成了怀旧和宗教。国内外对小说的批评也主要聚焦于天主教和怀旧这两个主题上,本文在此基础上将着重探讨小说中没有受到足够关注的另外一个主题：爱。借助拉康的精神分析理论,本文通过对查尔斯和塞巴斯蒂安从小说前半部的不羁的恋人到最后变为驯顺的信徒的过程的分析,试图证明沃在创作人物,构思情节时并非像一些评论家说的那样只是要将小说和人物命运作为彰显自己信仰和价值观的工具,而是遵循了一定的逻辑,即不论是人物的爱,还是信仰实际都是一种想象性的关系。通过齐泽克的阐发,拉康的精神分析理论已经从之前高居象牙塔、脱离现实的理论扩展到了对意识形态和现实的批判上,为分析真实和想象的辩证关系提供了一个新的维度。本文的引言部分将对以往对《故园风雨后》这部小说的批评进行回顾；第一章将集中介绍和阐发拉康精神分析理论中与本文关系密切的几个核心概念：被阉割的主体、想象界、象征界、真实界和欲望；第二章展现的是查尔斯从想象性的恋爱关系过渡到想象性的宗教信仰的过程；第三章将探讨塞巴斯蒂安在本就是为了逃避“现实”的想象性恋爱关系破灭后转而为了维护大他者(即天主教的上帝)完整性变为信徒的过程；最后是文章结论部分。
[Abstract]:Evelyn Walden 1903-1966. He was one of the most important British novelists after World War II. The novel "decline and collapse" published in 1928 established his position as an excellent satirical novelist. Marks a shift in Waugh's style-in this novel. Charles, the protagonist of the narrator, accidentally returns to the family's old home, Briz Hurd, during the war. The visit triggered his recollection of his contacts with Lord Flaite's family. The recollection of the past is imbued with the tone of the past, and the main characters end up in conversion to God. In this novel, Waugh changes the former cynical and relaxed style, and the content and theme of the novel are also from Zang Fu. Satire becomes nostalgia and religion. The criticism of novels at home and abroad also focuses on the themes of Catholicism and nostalgia. On this basis, this paper will focus on another theme that has not received enough attention in the novel: love. With the help of Lacan's psychoanalysis theory. By analyzing the process of Charles and Sebastian changing from the unruly lover in the first half of the novel to the tame believer in the last part of the novel, this paper tries to prove that Vaud is creating characters. The plot is not designed as some critics say just to the novel and the fate of characters as a tool to show their beliefs and values, but to follow a certain logic, that is, whether it is the love of characters. Or belief is actually a kind of imaginative relationship. Through the elucidation of Zizek, Lacan's psychoanalysis theory has expanded from the theory of living in the ivory tower before to the criticism of ideology and reality. It provides a new dimension for analyzing the dialectical relationship between reality and imagination. The introduction of this article will review the past criticism of this novel; The first chapter will focus on the introduction and elucidation of several core concepts in Lacan's psychoanalysis theory which are closely related to this article: castrated subject, imagination, symbol, reality and desire; The second chapter shows Charles' transition from imaginative love relationship to imaginative religious belief. The third chapter discusses the process of Sebastian turning into a believer in order to preserve the integrity of the other (that is, the Catholic God) after the collapse of the imaginary love relationship which is intended to escape the "reality"; The last part is the conclusion of the article.
【学位授予单位】：北京外国语大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I561.074

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