吴贞姬小说的女性形象研究

发布时间：2018-01-11 13:40

本文关键词：吴贞姬小说的女性形象研究　出处：《延边大学》2013年硕士论文　论文类型：学位论文

【摘要】：吴贞姬是韩国当代著名的女作家,她的小说着重描绘了主人公在现实生活中作为女性的烦恼,以及她们的人生价值的本质及其根源所在。吴贞姬小说的特点,可以说是特别注重人物的内心世界、自身视角、往事回忆等,以此来展开作品的整个事件。因此,吴贞姬的大部分作品,都是通过对人物的心理、对话、行动的细致入微的描写,来深化其主题。本文试图从吴贞姬小说中的女性形象入手,深入研究小说主题及作品体现出的作家意识。尤其要按年龄段分类女性形象,分析各阶段女性的受难特点,以及她们对待社会的方式与态度,从而进一步指出女性的主体性及女性“肉体”的深层含义。首先,按年龄段分析了女性形象的整体类型。女性人物中的第一个形象为“老奶奶”,这个人物类型是受难与死亡的象征。如《幼年的庭院》中的老奶奶,因曾经是妓女而饱受欺辱,一辈子都生活在被人歧视的艰辛环境中;而《唐人街》中的老奶奶,因没有生育能力,从而被家人疏离、被社会忘却,在孤独中静静地死去。“妇女”是吴贞姬小说中的第二个形象,她们又分为拥有强烈母性本能的形象,还有极富从现实生活逃脱欲望的形象。如《人鱼》中的主人公,被作家描写成追求完整母爱的伟大女性；而《空旷的田野》的主人公,却是因生活的倦怠和孤独,而一直渴望逃离家庭的主妇。最后,“少女”是在彷徨中成长的形象,在《玩具店的女人》中,小女孩是被家庭和社会所抛弃、在孤独中颤抖的稚嫩“肉体”。还有,《幼年的庭院》、《唐人街》中的小女孩,都是失落在战争废墟中的被扭曲的形象。在论文的第二部分,则分析了上述女性形象类型所具有的文学意义。“老奶奶”和“妇女”属于战争的牺牲品,她们作为弱势群体,被排斥在体制之外,在战争与父权制的压迫下备受欺凌,在社会的最底层,向来遭受最不公平的待遇,只能成为男性成功的垫脚石。这些特点,主要体现在女性主体性的表层部分,即女性没有灵魂的躯体。而女性主体性的内涵,则真正体现在个体性与欲求方面。从“少女”形象中,我们可以看出上述特点。少女一代对惨苦的社会现实所产生的反抗意识,是通过“肉体”来表现出的。具体而言,是通过“同性恋”、“呕吐”、“盗窃”、“初潮”等身体活动及肉体来反映出的。她们追求自由恋爱,要在男性中心的社会,恢复和争取“人”的自由,把自己的精神和肉体,当做一种统一的主体方式,去积极适应社会的变化。如上所述,本文通过对各年龄段女性形象的分析,试图解析在不平等社会条件下的各阶段女性类型,以及她们对待生活的方式,从而探讨了女性谋求解放的一种途径,继而勾勒出了作者对韩国当代社会女性主体性所持有的独特见解。
[Abstract]:Wu Jung-ji is a famous contemporary female writer in South Korea. Her novels focus on depicting the protagonists' troubles as women in real life, the nature and origin of their value in life, and the characteristics of Wu's novels. It can be said that special attention is paid to the inner world of the characters, their own perspective, memories of the past and so on, in order to carry out the work of the whole event. Therefore, most of her works are through the psychology of the characters, dialogue. The detailed description of action to deepen its theme. This article attempts to start with the female images in Wu Zhenji's novels, and deeply study the theme of the novel and the writer's consciousness embodied in the works. In particular, we should classify the female images according to the age, and analyze the suffering characteristics of women in different stages. And their ways and attitudes towards society, thus further pointing out the subjectivity of women and the deep meaning of women's "body". First of all, the overall type of female image is analyzed by age. The first image of a female character is "grandmother", which is a symbol of suffering and death, such as the grandmother in "the Courtyard of Childhood". Being bullied because of being a prostitute, living in the hardships of being discriminated against all one's life; The grandmother in Chinatown, because of her lack of fertility, is alienated by her family, forgotten by society, and dies quietly in solitude. "Women" is the second image in Wu's novels. They are also divided into the images with strong maternal instinct, and the image of escaping desire from real life. For example, the protagonist in Mermaid is described by the writer as a great woman who pursues complete maternal love; The protagonist of the Open Field, however, is a housewife who, because of the weariness and loneliness of life, has always longed to flee the housewife. Finally, the Girl is the image of growing up in a loss, in the Girl in the Toy Shop. The little girl is abandoned by the family and society, shivering in the loneliness of the young "flesh". And, "the yard of childhood", "Chinatown" of the little girl, are lost in the ruins of war in the distorted image. In the second part of the paper, we analyze the literary significance of the above female image types. "Granny" and "Women" belong to the victims of war, they are excluded from the system as a vulnerable group. Bullied under the oppression of war and patriarchy, at the bottom of the society, has always suffered the most unfair treatment, can only become the stepping stone of male success. These characteristics are mainly reflected in the surface part of the female subjectivity. That is, women have no soul body, and the connotation of female subjectivity is embodied in the aspects of individuality and desire, from the image of "girl". We can see the above characteristics. The young generation's consciousness of resistance to the miserable social reality is manifested through the "body". Specifically, it is through "homosexuality", "vomiting" and "theft". "menarche" and other physical activities and bodies to reflect. They pursue free love, in a male-centered society, to restore and strive for "human" freedom, put their own mind and body. As a unified subject, to actively adapt to social changes. As mentioned above, through the analysis of the images of women of all ages, this paper tries to analyze the types of women in different stages under unequal social conditions and the way they treat their lives. This paper discusses a way for women to seek liberation, and then outlines the author's unique views on the subjectivity of women in contemporary Korean society.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I312.607.4

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