夏目漱石前期创作思想的嬗变

发布时间：2018-01-21 09:42

本文关键词： 夏目漱石余裕低徊趣味非人情自我本位　出处：《暨南大学》2013年硕士论文　论文类型：学位论文

【摘要】：夏目漱石作为日本明治时代的文学巨匠，直至今日其作品仍影响着一代代日本人。他的创作生涯虽然只有短短的十二年，但绝非是对自己的单纯复制，而是一个不断挑战和尝试的过程。与日本学界百花齐放的研究现状相比，我国的夏目漱石研究仍处在未成熟阶段。本文以1905年-1910年，即其前期创作为研究对象。从探寻夏目漱石创作思想的变化入手，运用文本细读和整体研究的方法，探讨其逐步变化的过程及原因，并试图重现前期创作思想的变化轨迹。全文共五章。第一章概述国内外夏目漱石研究的情况，指出着手研究其前期创作思想嬗变的必要性；第二章解析夏目漱石所提出的“余裕”与“低徊趣味”概念，并在分析作品的基础上，揭示其初期批判的原始混沌性；第三章探索“非人情”提出的目的,以及反复失败与尝试后，最终达到的“真、善、美、庄严”四者统一的文艺观；第四章对前期三部曲进行分析，，指出漱石文学内面化的转向及“自我本位”的初步显露；第五章为论文的结语。
[Abstract]:As a literary giant in the Meiji era of Japan , it is still under the influence of Japanese as a literary giant in Meiji Age of Japan . Although his creative career is only a short twelve years , it is not a process of continuous challenge and attempt . In contrast with the current research situation in Japanese academic field , this paper tries to explore the process and cause of its gradual change from 1905 to 1910 , and try to reproduce the change track of the previous creation thought . In chapter 1 , the author points out the necessity of the study of early creative thoughts , and points out the necessity of studying the evolution of the early creative thinking . Chapter Three explores the original chaos of the early criticism . Chapter Three explores the purpose of " non - human emotion " and the literary view of " true , good , beautiful and solemn " . Chapter Three analyzes the three parts of the previous period , points out the turning of the inner face of the Chinese literature and the initial revelation of " self - standard " ; and the fifth chapter is the conclusion of the thesis .

【学位授予单位】：暨南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I313.06

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