舒婷与泰戈尔诗歌比较研究

发布时间：2018-03-01 10:00

本文关键词： 舒婷泰戈尔诗歌比较　出处：《湖南师范大学》2013年硕士论文　论文类型：学位论文

【摘要】：舒婷和泰戈尔都是中印文学史上著名的诗人,事实上,这两位来自不同国度、不同时代作家的创作呈现出某些惊人的相通性：作品中浸润着“爱”的哲学,对人类命运的深切关注和对生命价值的思考。受到个人气质、成长环境、浪漫主义文学理念和宗教精神等多重影响,舒婷和泰戈尔的作品都流露出深厚的人道主义思想和理想主义情怀。舒婷和泰戈尔的作品有着深厚的共通性,这引起了部分研究者的关注,但尚未出现对两位诗人诗歌创作深入、系统的比较研究。本文试图以两位诗人作品中所表现的“爱”的哲学为切入点,综合运用影响研究和平行研究的方法,梳理舒婷对泰戈尔诗歌艺术理念的创造性接受,并探讨其共同的思想文化源流以及对当今文坛的启示。本文主要从四个方面予以论述：第一章主要探讨舒婷与泰戈尔作品中“爱”的情感世界的构建。首先,两位诗人都致力于对自由恋爱的歌颂,批判封建伦理给人性带来的戕害,舒婷在此基础上提出了崇尚平等和独立的现代爱情观。其次,母爱构成诗人笔下人性之爱最重要的部分,母亲成为爱的化身,使整个社会都充满了温暖与和谐。舒婷发展了母亲形象内涵,使其从神性的形象衍化出多义性。再者,泰戈尔和舒婷诗歌中营造的“爱”的情感世界还表现出非常宽大、广博的一面,即对同胞,对普罗大众的爱。不同之处是泰戈尔的作品有更为明显的泛爱印记。第二章着力于比较舒婷与泰戈尔如何在诗歌中营造“爱”的意象谱系。泰戈尔与舒婷诗歌中表达“爱”的意象多取材于自然,汲取了东方和西方意象美学的精华,使其呈现出一种独特的意象之美。本文主要选取了飞鸟、光、海洋、树木四个具有代表性母题意义的意象来发掘其共通性。第三章从舒婷与泰戈尔诗歌中“爱”的表达方式来比较,两位诗人的诗歌风格都呈现出明显的情感性,偏重于表现主观理想和个人情感的抒发。舒婷吸收了泰戈尔诗歌表达独白式的特点,并发展为一种带有自白式特征的抒情方式。其次,两位诗人的抒情诗都呈现出很强的音乐性,表现为对格律的讲究,结构上的回环往复和随情赋形的特点。而舒婷还吸收中国古典诗词曲折抒情的特点,并借助转折、假设、让步等句式来构筑矛盾对立的情感结构,丰富了情感层次。第四章重点阐述舒婷与泰戈尔作品中“爱的哲学”来源,探讨两人诗歌创作共同的文化源流。主要梳理了诗人相似的成长环境：两人都出生在充满爱的大家庭,从小受到爱的滋养。其次,都身处动荡的年代,满怀对爱的渴望。第三,泰戈尔和舒婷都出生于宗教家庭,宗教博爱的思想成为诗歌创作的主题,更是诗人情感世界中真正的缪斯。最后,两位诗人都阅读了大量浪漫主义文学作品,其创作深受浪漫主义文学濡染。
[Abstract]:Shu Ting and Tagore are both famous poets in the history of Chinese and Indian literature. In fact, these two writers from different countries and different times have some amazing similarities in their works: the philosophy of "love" permeates their works. Deeply concerned about the fate of mankind and thinking about the value of life. Influenced by personal temperament, growing environment, romantic literary ideas and religious spirit, Both Shu Ting and Tagore's works reveal profound humanitarian thoughts and idealistic feelings. Shu Ting and Tagore's works have deep commonality, which has aroused the concern of some researchers. However, there has not been a deep and systematic comparative study of the two poets' poetry creation. This paper attempts to use the methods of influence research and parallel research comprehensively, taking the "love" philosophy expressed in the works of the two poets as the starting point. This paper combs Shu Ting's creative acceptance of Tagore's poetic artistic ideas, and probes into its common ideological and cultural origins and enlightenment to the literary world today. This article mainly discusses from four aspects:. The first chapter mainly discusses the construction of the emotional world of love in Shu Ting's and Tagore's works. First of all, both poets devote themselves to eulogizing free love and criticizing the harm of feudal ethics to human nature. On the basis of this, Shu Ting puts forward a modern view of love that advocates equality and independence. Secondly, maternal love forms the most important part of the poet's love of human nature, and the mother becomes the embodiment of love. The whole society is full of warmth and harmony. Shu Ting develops the connotation of the image of the mother and makes it derive from the image of the divinity. Moreover, the emotional world of "love" created by Tagore and Shu Ting also shows great leniency. The broad aspect, that is, the love for compatriots and the general public, is different in that Tagore's works have a more obvious mark of pan-love. The second chapter focuses on how Shu Ting and Tagore construct the image genealogy of love in their poems. The images of love expressed in Tagore and Shu Ting's poems are mostly derived from nature, and draw on the essence of western and eastern image aesthetics. In this paper, four representative motif images, birds, light, ocean and trees, are selected to explore their commonality. The third chapter compares the expression of love between Shu Ting and Tagore's poems. The poetic styles of the two poets are obviously emotional. Shu Ting absorbed the monologue characteristic of Tagore's poetry and developed into a lyric way with confessional characteristics. Secondly, The lyric poems of the two poets both show a strong musicality, which is characterized by the stress on the rhythm, the return of the structure and the shape of the emotion. And Shu Ting also absorbs the characteristic of the Chinese classical poetry, and with the help of turning point, supposing, The construction of contradictory and antagonistic emotional structure enriches the emotional level. Chapter 4th focuses on the origin of "philosophy of love" in Shu Ting's and Tagore's works, and discusses the common cultural origin of their poetry creation. Being nurtured by love from childhood. Secondly, they are in turbulent times, full of longing for love. Third, Tagore and Shu Ting were both born in religious families, and the idea of religious fraternity became the theme of poetry creation. Finally, both poets read a large number of romantic literature works, whose creation is deeply influenced by romantic literature.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I106.2;I0-03

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