《童年》-具有怀疑精神的自传

发布时间：2018-03-11 08:20

本文选题：《童年》　切入点：怀疑精神　出处：《西安外国语大学》2013年硕士论文　论文类型：学位论文

【摘要】：在娜塔莉·萨洛特所有的作品中，《童年》可以说是最受读者和公众青睐的。在这本自传中，作者又一次深入地探寻了人类存在的秘密源泉—向性。为了更好地展现这些脆弱而不可见的感觉，娜塔莉·萨洛特运用了一系列的写作手法：对词语的驾驭，对话体，对话与潜对话。作家为了与读者交流往往使用一种特殊的载体—语言。在作者眼中，语言并不是因传递信息和服务于其使用者而存在，而是为了使读者体会这些未知的、本能的、充满活力的感觉。作者对童年的回忆是以对话的形式展开的。叙述者在讲述自己的同时也与自己对话。“另一个我”全程参与，监视、鼓励，提出疑问、掌控并且纠正叙述者的错误，，从而给读者呈现了最真实的回忆。为了摆脱传统的对话形式，娜塔莉·萨洛特开创了自己的全新的心理领域—对话与潜对话。她关注的不仅仅是内心独白，更有内心独白的前奏，也就是内心独白产生前的细微而隐秘的心理活动。通过这一技巧，作者成功表现了向性的复杂与多变，也吸引了读者。回忆往事是老生常谈，自传体裁也并无新鲜可言。但是娜塔莉·萨洛特的写作却处处体现着对惯例的拒绝和对传统的摆脱。带着怀疑的精神，作者生动地再现了隐藏于遥远时光中的震颤的感觉并给了童年叙事第二次青春。
[Abstract]:Of all Natalie Sarot's works, Childhood is arguably the most popular among readers and the public. The author once again delves deep into the secret source of human existence, the directionality. To better demonstrate these fragile and invisible feelings, Natalie Sarot uses a series of writing techniques: the mastery of words, the conversational aspect. Dialogue and latent dialogue. Writers often use a special carrier for communication with their readers-language. In the author's eyes, language does not exist because it conveys information and serves its users, but rather for the reader to understand these unknown, instinctive things. A feeling of vitality. The author's recollection of childhood is in the form of dialogue. The narrator talks to himself as well as to himself. The "other self" participates, monitors, encourages, questions, controls and corrects the narrator's mistakes. Thus presenting the reader with the most true memories. In order to get rid of the traditional form of dialogue, Natalie Sarot created her own new psychological field-- dialogue and latent dialogue-- and she focused on not just the inner monologue, but the prelude to the inner monologue. Through this technique, the author has successfully demonstrated the complexity and variety of orientation and attracted readers. Recalling the past is a cliche, and the autobiographical genre is nothing new. But Natalie Sarot's writing is full of rejection of convention and of getting rid of tradition. With a spirit of skepticism. The author vividly reproduces the tremor hidden in distant times and gives the narration of childhood a second youth.
【学位授予单位】：西安外国语大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I565.075

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