村上春树长篇小说创作历程的研究

发布时间：2018-04-10 21:05

本文选题：村上春树 + 失落　；参考：《湖南大学》2013年硕士论文

【摘要】：日本当代著名作家村上春树（1949-）自1979年以处女作《且听风吟》登上文坛后，一直兴致未减，写小说、随笔、报告文学，翻译，转眼已走过三十个年头。从村上春树的创作中，我们可以看到他从一名“小资教父”到“斗士”的成长过程，把他的创作分为三个阶段，1979年到1989年是其创作的第一个十年——“不介入”阶段，1990年到2000年是第二个十年——“被动介入”阶段，2001年到2010年是第三个十年——“寻求责任”阶段。基于以上认识，本论文由五章构成，第一章绪论包括村上春树的生平及创作，村上春树小说的研究现状，第二章以早期“青春三部曲”为研究对象，其主题为“失落”，这是作者站在70年代末来回望曾经的60年代，战后的青年在旧有的梦想破灭，高速发展的经济又让人疑惑的现实面前，只能躲在纸壳般的箱子内品味无法对外言说的孤独与无奈。第三章以其中期的作品为研究对象，主题是“异化”，现代都市人飞速奔跑的脚步无法追赶日本经济腾飞的速度，在此过程中，精神失衡的人们丧失了个体的主体性。主人公被迫走出自己狭小的精神世界，在不停的“跳舞”中尴尬生存，在寻找自我的抗争中避免异化。第四章以其近期的作品为研究对象，主题是“暴力”，村上春树通过小说创作追溯了暴力的历史根源，展现了现代暴力的罪恶，主人公积极主动寻找对抗“暴力”的途径。第五章纵观村上春树创作的三十年，他的创作变化始终包含着一个稳定不变的因素，即对于自我的关注，，对于保持自我完整、自由的追求。无论是失落、异化还是暴力，都统一于这样一个有关自我的主题中。从不介入、被动介入到主动寻求责任，从以个人内心的书写到构架宏大的故事来探讨社会问题，体现了他作为一名作家的日益强烈的责任意识。村上春树始终关注着人的精神世界，并逐渐从一个“小资教父”成长为一名“斗士”。他用小说告诉读者只有学会思考，保证个体的独立性，才能找到自我、摆脱异化，获得精神的自由，才能在混乱不堪的世界中找到正确的生活方式。
[Abstract]:The famous contemporary Japanese writer Haruki Murakami (1949-) since 1979 debut < > cutingfengjin boarded the literary world, has not reduced interest, writing novels, essays, reportage, translation, it has gone through thirty years. From Haruki Murakami's works, we can see him from a "petty Godfather" to "fighter" the growth process, his creation is divided into three stages, from 1979 to 1989 is the creation of the first ten years - "non intervention" phase, from 1990 to 2000 is second - ten years of "passive intervention" phase, from 2001 to 2010 is third - ten years seeking the "responsibility".
Based on the above understanding, this thesis consists of five chapters. The first chapter is the introduction including Haruki Murakami's life and creation, the research status of Haruki Murakami's novels, the second chapter in the early "youth Trilogy" as the research object, its theme is "lost", this is the station at the end of 70s to look once in 60s, after the youth burst in the old dream, before the rapid development of the economy and confusing reality, can only hide in the cardboard boxes can not taste like foreign speech lonely and helpless. In the third chapter, in which period works as the research object, the theme of "alienation", the modern city run fast pace cannot catch up with Japan's economic take-off speed, in this process, people lost the mental imbalance of individual subjectivity. The protagonist forced out of their own narrow spiritual world, kept the "Dancing" in the living, in the search for self To avoid the alienation in the struggle. The fourth chapter in their recent works as the research object, the theme of "violence", Haruki Murakami traces the historical roots of violence through his novels, show the modern way of violence crime, the protagonist actively search against "violence". The fifth chapter longitudinal view of Haruki Murakami thirty years of his creation, the change of creation always contains a constant, namely for self attention, to maintain self integrity, pursuit of freedom. No matter is lost, alienation or violence, are unified in such a self related topics.
Never intervene, passive intervention to seek personal responsibility, from the heart to write a great story frame to discuss social problems, shows him as a writer has a strong sense of responsibility. Haruki Murakami has always been concerned about people's spiritual world, and gradually from a "petty Godfather" grow into a fighter "he used to tell the reader only novels. Learn to think, to ensure the independence of the individual, in order to find yourself, get rid of the alienation, spiritual freedom, to find the right way of life in the chaos of the world.

【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I313.074

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