《逃离》主题的认知诗学循迹

发布时间：2018-05-04 05:02

本文选题：《逃离》 + 图形-背景　；参考：《广西师范大学》2013年硕士论文

【摘要】：加拿大英语女作家爱丽丝·门罗凭借作品《逃离》获得了2009年国际布克奖。该书由八个具有同样主题——逃离的短篇小说构成,其中的3篇互有关联。在每个故事中,女主人公或因为对目前生活的不满,或因为对不同生活的向往选择了逃离。但经历逃离的过程后,她们开始明白自己所处的境地：欲逃离却最终选择回归,对生活也有了新的思考。在门罗的笔下,这些女性丰富的内心世界被展现在读者面前：对现实生活的迷茫、初逃离时的激动、逃离途中的挣扎以及回归后的沉思。《逃离》中女主人公们的出逃与回归究竟是女性对男权社会反抗过后的不了了之,还是女性追求自我之后的新的选择与出路,是本文要回答的问题。无论是在西方评论界还是在国内,学者们对于艾丽丝·门罗早期单个作品的关注较多,通常认为门罗笔下的女性人物聪颖、敏感、自强自立,用自己独特的方式来反抗社会对女性的禁锢。在本文中,笔者拟从认知诗学视角下的图形-背景理论出发,选取同名故事《逃离》,三部曲《机缘》、《匆匆》、《沉寂》,以及《激情》、《播弄》为文本,挖掘门罗创作这部作品的意图及该作品的主题意义。正文分为三章：第一章为综述部分,介绍了国内外对门罗作品的研究现状,阐明这部作品有待挖掘的空间；接下来是对认知诗学理论及相关术语图形-背景、意象图式的介绍,突显认知诗学理论的优势。第二章从具体的叙述手法：叙述视点、叙述时间和叙述语篇,作品中的具体意象：动物、环境和其它女性角色,及作品中呈现的意象图式：旅程意象图式,中心-边缘意象图式,三方面着手探讨这些线索所显示出的主题踪迹。第三章是第二章的升华,循着第二章的踪迹挖掘其背后的主题信息：逃离过后的回归不是反抗过后的沉寂、对生活的归顺而是女性在追求自我过后对生活产生的新思考,是另一种选择与出路。
[Abstract]:Canadian English writer Alice Monroe won the 2009 International Booker Prize for escaping. The book consists of eight short stories with the same theme-escape, three of which are related. In each story, the heroine escapes either because she is dissatisfied with her present life, or because of her yearning for different lives. But after experiencing the process of escape, they began to understand where they are: to escape and finally choose to return, they also have a new thinking about life. In Monroe's writings, the rich inner world of these women is revealed to the reader: the confusion of real life, the excitement of the first flight, The struggle on the way to escape and the contemplation after the return. Whether the escape and return of the heroines in "escape" is a woman's failure to resist the patriarchal society, or a new choice and outlet after the women pursue themselves. Is the question that this text wants to answer. Whether in Western critics or in China, scholars pay more attention to Alice Monroe's early individual works, and generally think that Monroe's female characters are intelligent, sensitive and self-reliant. Use their own unique way to resist the social imprisonment of women. In this paper, from the perspective of cognitive poetics, the author intends to choose the story of the same name "escape", the trilogy "chance", "hurry", "Silence", and "Passion", "playing out" as the text, from the perspective of cognitive poetics. Excavate Monroe's intention to create this work and the theme of the work. The text is divided into three chapters: the first chapter is the summary part, introduces the domestic and foreign research status of Monroe's works, clarifies the space to be excavated in this work, and then introduces the cognitive poetics theory and related terms, graphic-background, image schema, and so on. Highlight the advantages of cognitive poetics. In the second chapter, the author analyzes the specific narrative techniques: narrative viewpoint, narrative time and narrative discourse, the specific images in the works: animal, environment and other female characters, and the image schemas presented in the works: journey image schemata. Central-edge image schema, three aspects of these clues to explore the theme shown by the trace. The third chapter is the sublimation of the second chapter, following the trail of the second chapter to excavate the theme information behind it: the return after escaping is not the silence after resistance, but the rethinking of women's life after the pursuit of self. Is another choice and outlet.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I711.074

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