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《尼伯龙根的指环》中瓦格纳思想倾向探寻

发布时间:2018-05-05 10:39

  本文选题:尼伯龙根的指环 + 金钱 ; 参考:《东北师范大学》2013年硕士论文


【摘要】:瓦格纳作为19世纪德国最成功的剧作家之一,他的作品不但受到当时社会各界的大力追捧,更是在时间的长河里显现出蓬勃的生命力和不可思议的代表性。一个卓越的作家往往能通过与别人相类似的经历体悟出不同的人生感悟,从而铸造出艺术上不朽的丰碑。在瓦格纳身上,爱情生活中的坎坷经历让他对纯粹爱情有了自己独特的定义;理想世界与现实世界的强烈落差让他对权力的方方面面有着鞭辟入里的解析;他认为所有当时德国乃至整个资本主义世界里让人类的纯真本性扭曲、异化的根源,正是万恶的金钱,被人们无休无止的强烈欲望所污染的金钱。瓦格纳的各个作品中,尤其是《尼伯龙根的指环》里,都透露出了对原始人性中自由、纯洁的无限渴望,也透露出了对于被异化的金钱社会的彻底绝望。 《尼伯龙根的指环》一剧是公认的瓦格纳最成熟地反映了他戏剧理念的巨作,剧中开创性地采用主导动机音乐形式,以神话故事为依托背景,表现了以争夺指环为中心的金钱、爱情、权力纠葛,本文从三个部分解析瓦格纳《尼伯龙根的指环》中体现出的思想倾向。第一部分从指环的象征意义入手,,解析了指环所代表的现代社会金钱观的形成与瓦格纳艺术思想中的金钱观;第二部分重点解析《尼伯龙根的指环》剧中几种不同情感基础的爱情追求在面对金钱为主导价值观的社会中的选择以及结局的寓意;第三部分在原剧金钱观的基础上着力研究瓦格纳对于政治体系中法律的政治基础所持的思想倾向。本文希望能从瓦格纳代表剧作《尼伯龙根的指环》所表现出的金钱观、爱情观、权力观三方面的解析来探寻瓦格纳艺术思想的划时代意义。
[Abstract]:As one of the most successful German playwrights in the 19th century, Wagner's works were not only sought after by all walks of life at that time, but also showed vigorous vitality and incredible representativeness in the long river of time. An outstanding writer can often come up with a different understanding of life through experience similar to others, and thus forge a monumental monument in art. In Wagner, the ups and downs of love life make him have his own unique definition of pure love, the strong difference between the ideal world and the real world makes him have an analysis of all aspects of power. He believed that all the causes of the distortion and alienation of the pure nature of mankind in Germany and the whole capitalist world at that time were the money of all evil, tainted by the endless desire of people. Wagner's works, especially the Ring of Nieborone, reveal the infinite desire for freedom and purity in primitive humanity, and the utter despair of the alienated money society. "the Ring of Nieborone" A play is recognized as Wagner's most mature masterpiece that reflects his dramatic philosophy. The play is groundbreaking in the form of dominant motivational music, backed by mythological stories, and shows money centered on the Rings of the Rings. Love, power entanglement, this article from the three parts of Wagner's "Ring of Nieborone" reflected in the ideological tendency. The first part begins with the symbolic meaning of the ring, and analyzes the formation of the modern social view of money represented by the ring and the concept of money in Wagner's artistic thought. The second part focuses on the analysis of the different emotional basis of love pursuit in the face of money as the dominant value of the society and the moral of the outcome; The third part focuses on Wagner's ideological tendency towards the political basis of law in the political system on the basis of the original drama's view of money. This article hopes to explore the epoch-making significance of Wagner's artistic thought from the analysis of Wagner's representative play the Ring of Nieborough's Rings of money, Love and Power.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:I516.073

【参考文献】

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