从荣格理论看劳伦斯笔下的艺术家形象

发布时间：2018-05-06 06:10

本文选题：戴·赫·劳伦斯 + 荣格　；参考：《西北大学》2013年硕士论文

【摘要】：戴·赫·劳伦斯(1885-1930)是英国文坛最受瞩目,也最具争议性的作家之一学术界长久以来对他及其作品的研究主要集中在自然观宗教观的解读、女性形象研究及性爱主题等方面。然而,贯通其一生的作品,作者发现他的很多作品中都会设计一个艺术家的存在,这些艺术家的出现是一种巧合?抑或是曾出版过绘画集的画家劳伦斯自己的代言?这些艺术家形象在小说中的自我蜕变与劳伦斯的自我观的构建有什么内在的关系?本文借助荣格的个性化理论将劳伦斯笔下的艺术家形象作为研究的着眼点,希望藉此找到劳伦斯自我观的发展历程,这是本文的出发点也是归宿。荣格个性化理论是指一个人发现自己内心深处的,独特的,真实自我的过程,其实质是人的自我原型的现实化。个性化的目的是充分认识自己,并建立完整的心理人生。劳伦斯一生也在追寻人的不断自我完善,因此本研究运用荣格的个性化理论,选择三部代表作为研究对象,分析他作品中的特有的艺术家形象,探求劳伦斯自我观的构建、完善过程。论文主要包含四个部分。首先,本文选题的缘由,及劳伦斯研究的国内外文献综述,提出本研究的不同之处；第二章介绍荣格及其个性化理论,以及该理论在文学艺术作品分析中的应用与影响；第三章运用个性化理论分别分析劳伦斯不同时期的三部作品中的艺术家形象：如《儿子与情人》(早期)中的绘画天才保罗,《恋爱中的女人》(中期)中的小有名气且恃才傲物的美术学校教师古迪兰,以及《查泰莱夫人的情人》(晚期)中的皇家艺术学会会员查泰莱夫人康司丹斯,并联系劳伦斯本人的艺术家经历来探讨他的自我观与作品中的艺术家人物的自我观的关联,研究最后论证指出：社会人的自我完善的过程在不同生命历程包含着不同的内容,是一个自我迷失、自我挣扎、自我实现的过程；劳伦斯本人也以小说中的人物作为自己的哲学代言,从而完成了自我观的完善和完美诠释。本论文为劳伦斯及其作品的研究提供了一个新视角,希望能够激发更多的人应用荣格或其他相关理论对劳伦斯及其作品进行广泛而深入的研究。
[Abstract]:D 路H 路Lawrence (1885-1930) is one of the most famous and controversial writers in British literary circles. For a long time, the research on him and his works has focused on the interpretation of religious view of nature, the study of female image and the theme of sex. However, through his lifetime of work, the author found that many of his works will design the existence of an artist, these artists appear is a coincidence? Or is it Lawrence himself, who has published a collection of paintings? What is the internal relationship between the self-transformation of these artists' images in the novel and the construction of Lawrence's self-concept? With the help of Jung's individualization theory, this paper focuses on the artist image in Lawrence's works, hoping to find out the development course of Lawrence's self-concept, which is the starting point and the destination of this paper. Jung's individuation theory refers to the process of discovering one's inner, unique and true self, and its essence is the realization of human's self-prototype. The purpose of individuation is to fully understand oneself and establish a complete psychological life. Lawrence's life is also in pursuit of human self-improvement, so this study uses Jung's individuation theory, selects three representatives as the research object, analyzes the unique artist image in his works, and explores the construction of Lawrence's self-concept. Perfect process. The thesis consists of four parts. First of all, the reason of this thesis, and the literature review of Lawrence's research at home and abroad, put forward the differences of this research, the second chapter introduces Jung and his theory of individuation, and its application and influence in the analysis of literary and artistic works. The third chapter uses the theory of individuation to analyze the artist images in Lawrence's three works in different periods: such as Paul, the painting genius in "son and Lover" (early), and the minor fame in "Women in Love" (metaphase). And a bully art school teacher, Gudiran, And Lady Chatterley's Lady Constance in Lady Chatterley's Lover (late), and connecting Lawrence's own experience of the artist to explore the connection between his self-view and the self-view of the artist in his work. At the end of the study, the author points out that the process of self-perfection of social people contains different contents in different life course, which is a process of self-lost, self-struggling and self-realization; Lawrence himself takes the characters in his novels as his philosophical endorsements, thus completing the perfection and perfect interpretation of his self-view. This thesis provides a new perspective for the study of Lawrence and his works, hoping to inspire more people to apply Jung or other relevant theories to the extensive and in-depth study of Lawrence and his works.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I561.074

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