论海明威笔下的非洲形象

发布时间：2018-05-19 01:27

本文选题：海明威 + 非洲表达　；参考：《天津师范大学》2013年硕士论文

【摘要】：厄内斯特·海明威(Ernest Hemingway,1899-1961),是20世纪美国著名作家。作为本土最具影响力的美国作家,海明威却往往选择与美国现实有诸多差异的异域作为其作品的描写对象。其中海明威去非洲旅行的经历对海明威人生及创作产生深刻影响,但海明威非洲归来后所作作品却毁誉参半。《非洲的青山》被评论家说成是海明威失败的个人英雄主义寓言,现在多数学者多从生态批评角度进行解读。相对于《非洲的青山》,《弗朗西斯·麦康伯短促的幸福生活》和《乞力马扎罗的雪》却得到了评论家们的一致好评,被认为是海明威短篇小说中少有的佳作。《一个非洲故事》则大多数被认为是海明威潜意识下的生态觉醒,对其早先狩猎行为的反思。《曙光示真》作为虚构与真实相交的回忆录则被视为了解海明威后期创作及心理状况的难得资料。值得注意的是,也有学者从形象学角度把海明威笔下的异域形象作为整体来研究海明威的作品。因此本文以海明威的三篇短篇小说和两篇长篇小说具体分析海明威笔下的非洲形象表达,并力图挖掘出海明威非洲表达的个性化色彩,以允实海明威非洲形象的研究。本文共分为五个部分,其中正文三章。绪论部分主要介绍选题缘起、国内外研究现状及选题意义第一章：非洲书写传统。西方非洲书写传统有想象、有赞美、有歪曲；而非洲人的非洲表达在不断向世界展示一个真实的非洲。非洲书写传统在真实与虚构之间,凸显了海明威的非洲表达。第二章：海明威的非洲表达。自然、原始、生命力的非洲是景观化的,白人在非洲拥有着主体性权力,黑色的非洲充满着白人的欲望,他们可以在非洲狩猎竞技,可以在非洲搭建白色王国,非洲在浑然不觉中沦为了被动非洲。第三章：海明威非洲表达的个人特色。海明威将成长主题置放在非洲的背景下,把非洲塑造成了拯救他者的理想家园。同时海明威的非洲表达充满边疆色彩。此外,二次非洲之行后海明威自身产生了思想、内容、态度方面的诸多变化也反映在海明威的非洲表达之中。结语部分,海明威笔下的非洲形象对非洲形象传统既有继承又有突破,由于美国现状及作家自身特点的影响非洲形象之中又形成了海明威的个性化色彩。
[Abstract]:Ernest Hemingway, Ernest Hemingway, is a famous American writer in the 20 th century. As the most influential American writer, Hemingway often chooses the foreign land which has many differences with the American reality as the object of his works. Hemingway's trip to Africa had a profound impact on Hemingway's life and creation, but Hemingway's works after his return from Africa had a mixed reputation. The Castle Peak in Africa was described by critics as a personal heroism fable of Hemingway's failure. Now most scholars interpret it from the angle of ecological criticism. In contrast to Africa's Castle Peak, Francis McComber's short and happy life and Kilimanjaro's snow have been well received by critics. It's considered a rare piece of Hemingway's short story. An African Story is mostly considered Hemingway's subconscious ecological awakening. Reflection on his earlier hunting behavior. As a memoir of the intersection of fiction and truth, it is regarded as a rare material for understanding Hemingway's later creation and psychological condition. It is worth noting that some scholars study Hemingway's works as a whole from the perspective of imageology. Therefore, this paper analyzes the African image expression in Hemingway's works with three short stories and two novels, and tries to dig out the individualized color of Hemingway's African expression, so as to study the African image of Hemingway. This paper is divided into five parts, including three chapters. The introduction part mainly introduces the origin of the topic, the current research situation and the significance of the topic at home and abroad. Chapter one: African writing tradition. Western African writing tradition has imagination, praise, distortion, and African expression is constantly showing the world a true Africa. African writing tradition, between truth and fiction, highlights Hemingway's African expression. Chapter two: Hemingway's African expression. Natural, primitive, vital Africa is landscape, white people have subjective power in Africa, black Africa is full of white desire, they can hunt in Africa, they can build white kingdoms in Africa. Africa has become a passive Africa. Chapter three: the personal characteristics of Hemingway's African expression. Hemingway placed the theme of growth in the context of Africa, shaping Africa as the ideal home for the savior. At the same time Hemingway's African expression is full of border color. In addition, Hemingway's ideas, contents and attitudes are reflected in Hemingway's African expression. In the conclusion part, Hemingway's African image not only inherits but also breaks through the tradition of African image, and because of the influence of American present situation and writer's own characteristics, it forms Hemingway's individualized color.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074

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