论芥川龙之介文学作品中的生死观及演变

发布时间：2018-05-20 00:48

本文选题：芥川龙之介 + 生死观　；参考：《东北师范大学》2013年硕士论文

【摘要】：芥川龙之介作为日本近代文学史上最具影响力的作家之一，同时又是日本新思潮派文学的领军人物。同夏目漱石、森欧外被后人尊称为日本文坛20世纪初期的三大文学巨匠。在他短暂的十几年的文学创作生涯中，芥川龙之介创作了140多篇短篇小说，，并留下了许多经典的汉诗、俳句、文艺评论和散文游记随笔等。芥川的小说创作体裁虽然绝大部分是短篇，但是作品取材广泛、语言风格凝练，言简意赅却给读者无限的思考空间。因此芥川也被人称赞为“大正鬼才”或“大正奇才”。为了纪念和表彰芥川对日本文学作出的杰出贡献，从1935起，日本文坛专门设立了以芥川姓氏命名的“芥川文学奖”，这个奖项也成为当代日本文坛最富盛名的文学奖项之一。芥川龙之介作为日本近代文学史上一颗璀璨耀眼的明星，却在他35岁，生命的鼎盛时期，选择自杀的方式作为人生的谢幕，不禁令人扼腕痛惜。关于芥川为何最终选择自杀的原因，日本文坛上众说纷纭，至今仍争论不休。其中主要的有年幼时期的心理阴影、成年后家庭负担的沉重、追求的艺术理念同社会时代的背离等。正是由于这些原因，芥川一直用自己独特的视角去理解世间的生老病死。“生与死”这一文学主题，也一直是芥川龙之介文学创作中的主线，他将自己对生与死的理解融入到作品之中，来探究“生与死”这一人类哲学的终极话题。本文以文本分析和社会历史研究为主要研究分析手段，对芥川龙之介的经典小说和其他文学作品进行梳理和总结，以期探寻芥川龙之介生死观念的衍变以及原因。本文共设立三章。第一章，以芥川龙之介早中期作品为例，分为早期作品《罗生门》、《地狱变》、《青年与死》和中期作品《竹林中》、《蜘蛛丝》、《奉教人之死》为例，分别梳理芥川早期和中期在作品中流露出的不同死亡观。第二章以《河童》、《大导寺信辅的一生》和遗作《西方的人》等作品为例，详细分析芥川龙之介晚年流露出悲观厌世的死亡观。第三章着重探讨造成芥川龙之介死亡观念转变的原因。从大正时期所处的时代背景，到芥川龙之介成长过程中所受的宗教思想的影响等原因，详细分析芥川的死亡观演变以及芥川最后走向自杀这一悲剧结局的原因。
[Abstract]:As one of the most influential writers in the history of modern Japanese literature, Akutagawa Ryunosuke is also the leading figure in the new Japanese ideological literature. With Natsume Soseki, Mori Oto is called the three great literary giants of the Japanese literary world in the early twentieth Century. In his short decade of literary creation, Akutagawa Ryunosuke created more than 140 A short story, and many classical Chinese poetry, haiku, literary criticism and prose travel essays, and so on. Although most of the novel writing genres are short, the works are widely used, the language style is concise and concise, but it gives the readers infinite thinking space. To commemorate and commend the outstanding contribution made by mustard Sichuan to Japanese literature, from 1935, the Japanese literary world has set up a "Mustard literature prize" named by the surname of mustard. This award has also become one of the most famous literary awards in the contemporary Japanese literary world.
As a dazzling star in the history of modern Japanese literature, Akutagawa Ryunosuke, at the age of 35 and the heyday of his life, chose suicide as a curtain of life. The psychological shadow of the period, the heavy burden of the family after adulthood and the deviation of the artistic concept from the social age, and so on. It is for these reasons that it has always used his own unique perspective to understand the life and death of the world. The literary theme of "life and death" has always been the mainline of Akutagawa Ryunosuke's literary creation. The understanding of death and death is integrated into the works to explore the ultimate topic of the human philosophy of "life and death". This paper, with text analysis and social history research as the main research and analysis method, combs and summarizes the classical novels and other literary works of Akutagawa Ryunosuke, in order to explore the evolution of the concept of Akutagawa Ryunosuke's life and death and the original. Because of.
The first chapter has three chapters. The first chapter, taking Akutagawa Ryunosuke's early and middle works as an example, is divided into the early works < Luo Sheng gate >, < hell > > the youth and death > and the middle works < bamboo forest >, < spider silk >, < the death of the religious people > as an example, to sort out the different views of death in the early and middle period of the mustard Sichuan, respectively. The second chapter is "the river boy >" the great guide Temple letter. In third chapters, the third chapter focuses on the reasons for the transformation of the concept of Akutagawa Ryunosuke's death, from the background of the times in the great positive period, to the influence of the religious thought on Akutagawa Ryunosuke's growth, and so on. Detailed analysis of the evolution of the concept of death in mustard and the cause of the tragic ending of the end of the attack.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I313.06

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