新变与救赎:俄国形式主义文类思想研究

发布时间：2018-05-28 08:28

本文选题：程序 + 历史诗学　；参考：《文艺理论研究》2015年03期

【摘要】：科学化与"反常化"决定了俄国形式主义产生本身自然具有反古典文类规则的色彩。它经历史性程序诗学的中介实现了与文类范畴的联结。走向文类是其自救的必然之举,而自救对于文类而言不啻于他救。文类作为特征程序系统的聚合,其发展本性体现在"程序翻新"说、"低俗体裁排挤高雅体裁"说、"体裁瓦解"说;因而规范诗学之间不再是传统的矛盾对立关系,而是历史承续关系。文类发展本性、"形式"图腾、"细节印证"导致对于传统"三分法"、古希腊悲剧定义、"三整一律"、喜剧团圆结局、案头曲与场上曲关系、跨文类现象等命题的否定与批评。历史性程序诗学将俄国形式主义定格于现代文类理论发展史开篇的重要位置。在文类理论发展史上,它继规范论发展阶段之后,及时中止了虚无论发展阶段,开创了现代文类理论的构成论发展阶段。
[Abstract]:Scientization and "anomaly" determine that Russian formalism itself has the color of anti-classical literary rules. It realizes the connection with the category of literature through the intermediary of historical procedure poetics. It is necessary to go to the category of literature, and the self-rescue is equivalent to his rescue to the category of literature. As the aggregation of characteristic program system, the nature of literature development is embodied in the theory of "program renovation", the theory of "vulgar genre crowding out elegant genre" and the theory of "genre disintegration", so that there is no longer a traditional contradiction and opposition between normative poetics. It is historical continuity. The nature of literary development, "form" totem, "detail verification" leads to the negation and criticism of the traditional "three-point method", the definition of ancient Greek tragedy, the "three whole unity", the happy ending of comedy, the relationship between desk music and field music, and the phenomenon of cross-text. Historical procedural poetics sets Russian formalism at the beginning of the history of modern literary theory. In the history of the development of literary theory, after the development stage of normative theory, it has stopped the development stage of fictitious theory in time, and initiated the development stage of the theory of constitution of modern literary theory.
【作者单位】：扬州大学人文社科处;
【基金】：教育部全国优秀博士学位论文作者专项资助项目“西方文类理论史纲”[项目编号:201010]阶段性成果教育部“新世纪优秀人才支持计划”[项目编号:NCET-12-0746] 江苏高校优势学科建设工程(PAPD) 扬州大学“高端人才支持计划”资助
【分类号】：I512.06

【共引文献】