叶芝早期诗歌创作中的艺术特色

发布时间：2018-05-29 23:14

本文选题：威廉·巴特勒·叶芝 + 早期诗作　；参考：《曲阜师范大学》2013年硕士论文

【摘要】：爱尔兰著名诗人威廉·巴特勒·叶芝（1865-1939）以其独具民族特色的文学创作获得1923年诺贝尔文学奖，在世界文坛中影响深远。作为爱尔兰文艺复兴的领导人物，叶芝为爱尔兰民族文化的发展做出了巨大贡献。他的诗歌创作可以分成早、中、晚三个时期，其中，创作早期到19世纪末期结束，一般以1899年出版的《苇间风》为标志。他经历了从浪漫主义到现实主义的过渡阶段,积极吸纳各种有益的艺术思想与文学风格。他在诗歌发展的诸多领域都取得了非凡成绩，，因此充分挖掘他思想的最初源泉，探究其早期诗歌创作显得尤为重要。论文作者通过细读和分析叶芝早期的诗歌创作，认为：叶芝早期诗作主要有两大艺术特色,第一，他使用了爱尔兰民间传说作为创作主题；第二，他的早期诗歌中大量使用了自然意象。首先，他的早期创作生涯中,在约翰·奥利瑞的影响和帮助下，叶芝对爱尔兰民间传说进行了深入的研究。他把爱尔兰神话典故和民间故事加入自己的想象和改编，使其更加贴近当时的社会大背景。通过复活爱尔兰古老神话传说中的英雄人物，如库丘林，乌辛，弗格森等，叶芝希望唤起爱尔兰人民对本民族的记忆，重塑辉煌和谐安宁的英雄过往。同时，受爱尔兰民间传说中精灵故事的启发，叶芝为读者描绘了一个无忧无虑快乐完美的仙境，体现了诗人对回归美丽安静的大自然的渴望，其实也是他对理想中的爱尔兰的渴望。作为“最后一位浪漫主义诗人”，叶芝早期的诗作充满了浪漫主义色彩，其中使用自然意象成为其诗歌创作的重要元素。因此，论文将自然意象作为解读叶芝早期诗歌的另一把钥匙来探究诗人是如何使用这些意象为其创作服务的。论文认为叶芝早期诗歌中自然意象可以分为两种：组合使用的自然意象和单独使用的自然意象。论文把以树林和岛屿为中心意象的组合意象进行了分析和研究；与此同时，玫瑰和露珠多次以单独意象出现在其诗歌中，作为对美，爱情，永恒以及爱尔兰的象征，表达了诗人对它们的追求与向往。叶芝早期诗歌创作中使用爱尔兰民间传说为主题，通过对神话典故和民间故事的再创作，使其诗歌充满了爱尔兰本名族原有的智慧和鲜活的民间文化。同时，叶芝继承了浪漫主义传统，通过使用自然意象，为读者呈现了诗人丰富的内心情感世界。
[Abstract]:The famous Irish poet William Butler Yeats (1865-1939) won the 1923 Nobel Prize for Literature for his unique literary creation with national characteristics, which has a profound influence in the world literary world. As the leader of the Irish Renaissance, Yeats made great contributions to the development of Irish national culture. His poems can be divided into three periods: early, middle and late. Among them, the early period of creation ended at the end of the 19th century, usually marked by the publication of "the Wind between reeds" in 1899. He experienced the transition from romanticism to realism and absorbed all kinds of useful artistic ideas and literary styles. He has made remarkable achievements in many fields of poetry development, so it is particularly important to fully excavate the initial source of his thoughts and to explore his early poetry creation. Through careful reading and analysis of Yeats's early poetry, the author thinks that Yeats's early poetry has two main artistic features: first, he uses Irish folklore as the theme of his creation; second, he uses Irish folklore as the theme of his creation. His early poems used a lot of natural imagery. First, during his early writing career, Yeats studied Irish folklore deeply under the influence and help of John O'Leary. He added Irish mythology and folklore to his imagination and adaptation, making it closer to the social background of the time. By reviving the heroes of ancient Irish mythology, such as Kuchulin, Usin and Ferguson, Yeats hopes to evoke the memory of the Irish people and restore the glorious, harmonious and tranquil heroic past. Inspired by the fairy tale of Irish folklore, Yeats depicts a carefree, happy and perfect fairyland, embodying the poet's desire to return to the beautiful and quiet nature. It was also his desire for the ideal Ireland. As "the last romantic poet", Yeats's early poems were full of romanticism, in which the use of natural images became an important element in his poetry creation. Therefore, the paper uses natural images as another key to the interpretation of Yeats's early poetry to explore how poets use these images to serve their creation. The paper holds that the natural images in Yeats's early poems can be divided into two types: the natural images used in combination and the natural images used alone. At the same time, roses and dewdrops appear in their poems as a symbol of beauty, love, eternity and Ireland. It expresses the poet's pursuit and yearning for them. The Irish folklore was used as the theme in Yeats's early poetry creation. Through the re-creation of mythological allusions and folk stories, Yeats poetry was filled with the original wisdom and fresh folk culture of the Irish real name clan. At the same time, Yeats inherits the tradition of romanticism and presents the poet's rich inner emotional world through the use of natural images.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I562.074

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