一无所获中的女性“第二性”形象

发布时间：2018-05-31 01:41

本文选题：《一无所获》 + 《第二性》　；参考：《广东外语外贸大学》2013年硕士论文

【摘要】：1944年，只有23岁的卡门·拉福雷特凭借小说《一无所获》摘得年度小说大奖纳达尔文学奖。当时正值西班牙内战后，佛朗哥独裁政权采取了限制女性发展的高压政策，在天主教强势文化的框架下，她们的主要活动仅限于家庭内部，主要目标是成为“贤妻良母”。从这样的社会背景出发，一些评论认为《一无所获》作为一部由女作家写就的，主要人物亦是女性的小说，反映了战后女性地位的不平等和对弗朗哥政权的谴责，闪耀着女性主义的光辉。外部环境固然重要，但是这篇论文主要从这部作品里的四位主要女性形象出发，用波伏娃在《第二性》中所提出的理论，试图从另一个角度说明在这个小说里，并没有体现女性的自我实现和觉醒，，而是从思想上或者经济上依附于男性的第二性角色。所以，卡门·拉福雷特的这部作品不能算作一部女性主义小说。
[Abstract]:In 1944, Carmen Laforte, only 23 years old, won the Nadal Prize for Literature of the year for Nothingness. In the aftermath of the Spanish civil war, Franco's autocratic regime adopted a high-handed policy to limit the development of women. Under the framework of a strong Catholic culture, their main activities were confined to the family, with the main goal of becoming a "good wife and good mother." From this social background, some critics argue that "nothing" is a novel written by women writers whose main characters are women, reflecting the unequal status of women after the war and the condemnation of the Franco regime. The light of feminism shone. The external environment is important, but this paper is mainly based on the four main female images in this novel, using the theory put forward by Bovova in the second sex, trying to explain this novel from another angle. It does not reflect the self-realization and awakening of women, but is attached to the second sex role of men ideologically or economically. Therefore, Carmen Laforte's work cannot be regarded as a feminist novel.
【学位授予单位】：广东外语外贸大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I551.074

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