女性写作的困境——论田村俊子的《女作者》

发布时间：2018-06-24 09:13

本文选题：田村俊子 + 《女作者》　；参考：《日本问题研究》2015年03期

【摘要】：活跃在明治末年至大正时期日本文坛之上的女性作家田村俊子,站在日本近代女性写作的源头,通过《女作者》一文淋漓尽致地塑造了一位为写作而殚精竭虑、痛苦煎熬的"女作者"的生动形象。在本论中,笔者通过细读文本,从"写作"与"表演"的时代共性这一新的视角切入,将重点放在"女作者"的创作过程和其作品的文体特征,并将同时代的文坛、社会背景等纳入视野之中,来探讨"女作者"是如何在男性作家群中发出自己的声音,进而论证作为发声主体的"女作者"在写作上的局限性和打开写作困境的可能性。
[Abstract]:Tamura Junko, a female writer active in Japanese literary circles in the late Meiji period and the period of Da Zheng, stands in the source of modern women's writing in Japan. Through the "female author", the author vividly portrays a vivid image of the "female author", who has worked hard and painfully. In this theory, the author reads the text from "writing" and "table". The new perspective of "the generality of the times" is put on, focusing on the creation process of the "female author" and the stylistic features of his works, and taking the literary and social background of the times into the field of vision to discuss how the "female author" emits his own voice in the male writer group, and then demonstrates the writing of the "female author" as the main body of the voice. The limitations of the above and the possibility of opening a writing dilemma.
【作者单位】：上海海事大学外国语学院;
【分类号】：I313.06

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