黑格尔戏剧美学视域下《匹克梅梁》人物冲突的解析

发布时间：2018-06-25 07:41

本文选题：乔治·伯纳德·萧 + 《匹克梅梁》　；参考：《哈尔滨师范大学》2013年硕士论文

【摘要】：乔治·萧伯纳是公认的继莎士比亚之后英国最伟大的戏剧家。对萧伯纳研究的书刊论文数量仅次于研究莎士比亚的文章数量。但是由于对国外新近的研究成果缺乏了解，国内的萧伯纳研究处于与国际脱节的状态。取得真正学术意义上的研究成果则是20世纪90年代以后，随着文艺研究领域意识形态色彩淡化和研究方法更新才逐渐开始的。学者们对萧伯纳前期作品中表现出的女权主义和创造进化论思想做了较多的研究。与莎士比亚相比，萧伯纳的故事更简单，理论更复杂，观点甚偏激，这就非常容易导致对萧伯纳剧作两极分化的理解。黑格尔在自己包罗万象的哲学体系框架内，为艺术安排了一个重要地位，又在艺术哲学范围内，，凭着对戏剧的浓厚兴趣及深厚的戏剧理论修养，继承历史，结合现实，完成了反映时代背景与阶级背景的戏剧美学的创建。萧伯纳的戏剧具有创造独立的人的哲学内涵，黑格尔的戏剧美学是以哲学为基础，《匹克梅梁》这部戏剧用黑格尔的戏剧美学理论分析，能让我们更好的了解戏剧，了解萧伯纳。戏剧以冲突为中心，文章试图用黑格尔的戏剧美学理论分析《匹克梅梁》中的冲突。文章分为六大部分。第一部分为引言，分三小部分：介绍萧伯纳及其作品《匹克梅梁》；文献回顾；主题陈述。第二部分为理论基础。由于论文需要，这里对于黑格尔美学理论有针对性的介绍。首先简单介绍黑格尔戏剧美学思想的理论渊源与哲学基础，之后介绍黑格尔戏剧美学的基本内容架构，包括剧本的创作，戏剧典型论以及戏剧冲突论。第三、第四部分用黑格尔美学理论分析《匹克梅梁》。人物的不同目的与行为会引发冲突出现，而不同的人物性格将会引起人物不同的目的，不同的行为。所以在分析冲突前，作者将先运用黑格尔的人物典型论详细描述《匹克梅梁》冲突中所涉及的人物性格，之后依据黑格尔的戏剧冲突论，根据人物的性格特点分析《匹克梅梁》中的冲突。文章正文中，首先，根据黑格尔美学理论戏剧典型论中的人物典型论分析《匹克梅梁》冲突中所涉及的人物性格：伊莉莎、希金斯、皮克林，以及杜利特尔先生、希金斯夫人、别斯太太及希尔一家。再根据人物性格分析《匹克梅梁》中的人物冲突，包括希金斯、皮克林与伊莉莎之间的冲突；希金斯，伊莉莎与杜利特尔先生之间的冲突；希金斯，皮克林与希金斯夫人之间的冲突；希金斯，伊莉莎与别斯太太之间的冲突；希尔一家与伊莉莎之间的冲突。之后第五部分是《匹克梅梁》中存在的意义，从《匹克梅梁》看萧伯纳的世界观，在从萧伯纳的世界观回归戏剧《匹克梅梁》分析其存在的意义，其中包括其存在的爱情观以及现实意义。文章的最后一部分为结论部分，总结全文。《匹克梅梁》是萧伯纳最杰出的的作品之一。它的上演也非常叫座。它经得起时间的考验，成为戏剧史的一个经典。用黑格尔戏剧美学理论分析《匹克梅梁》，对于戏剧本身做出合理的分析，从本质上理解这部作品，透析这部作品，能够更准确地，更深入地理解作品的现实意义。
[Abstract]:George Shawburna is recognized as the greatest dramatist in England after Shakespeare. The number of books and periodicals studied by Bernard Shaw is second only to the number of articles studied by Shakespeare. But because of the lack of understanding of recent foreign research results, the domestic Bernard Shaw research is in a state of disjointing with the country. The result of the research is after the 1990s, with the ideological color desalination in the field of literature and art and the renewal of research methods. Scholars have done more research on the feminism and the theory of creative evolution in the earlier works of Bernard Shaw. Compared with Shakespeare, Bernard Shaw's story is simpler and the theory is more important. Complex and extreme views, which can easily lead to the polarization of Bernard Shaw's plays.
In the framework of his own philosophical system, Hagel arranged an important position for art, and in the scope of the philosophy of art, with a strong interest in the drama and profound theoretical cultivation of drama, he inherited the history, combined with the reality, and completed the creation of drama aesthetics reflecting the background of the times and the background of the class. Bernard Shaw's plays are of great importance. To create the philosophical connotation of independent people, Hagel's dramatic aesthetics is based on philosophy. "PEAK Mei Liang", which is analyzed by Hagel's dramatic aesthetic theory, can make us better understand the drama and understand Bernard Shaw.
The drama is centered on conflict. The article tries to analyze the conflict in PEAK Meishan by Hagel's dramatic aesthetic theory. The article is divided into six parts. The first part is the introduction, which is divided into three small parts: introducing Bernard Shaw and his works "PEAK Meishan"; literature review; the theme statement. The second parts are divided into theoretical basis. Because of the needs of the paper, here are the Hagel's aesthetic theory has a specific introduction. First, it briefly introduces the theoretical origin and philosophical basis of Hagel's dramatic aesthetics, and then introduces the basic content framework of Hagel's dramatic aesthetics, including the creation of the script, the typical theory of drama and the theory of drama conflict. Third, the fourth part is the analysis of "PEAK Meishan" with the theory of Hagel aesthetics. The different purpose and behavior of the characters will lead to conflict, and different characters will cause different purposes and different behavior. So before the analysis of conflict, the author will first use Hagel's character theory to describe the character of "Pi Kemei Liang >" in the conflict, and then according to Hagel's dramatic conflict theory, the root of the character. According to the character characteristics analysis of the conflict in the PEAK Meishan. In the text, first, according to the character typical analysis of the characters in the classic drama theory of Hagel's aesthetics, "PEAK Mei Liang >" the characters involved in the conflict: Lisa, Higgins, Pickering, and Mr. Doolittle, Mrs. Higgins, Mrs. and Hill. Then according to the character analysis of the character conflict in the PEAK Meishan, including the conflict between Higgins, Pickering and Iran Lisa; Higgins, the conflict between Lisa and Doolittle; Higgins, the conflict between Pickering and Mrs. The conflict between Lisa. The fifth part is the meaning of "PEAK Meiliang", from "PEAK Mei Liang" to see Bernard Shaw's world outlook and the significance of analyzing its existence from Bernard Shaw's world outlook to the drama < PEAK Mei Liang >, including the existence of love outlook and practical significance. The last part of the article is the conclusion of the conclusion. Wen.
"PEAK mee beam" is one of Bernard Shaw's most outstanding works. It is also a great place. It can stand the test of time and become a classic of the history of drama. The analysis of "PEAK Mei Liang" with the theory of Hagel's dramatic aesthetics is a reasonable analysis of the drama itself. In essence, it is more accurate to analyze the work and to be more accurate. To understand the realistic meaning of the work more deeply.
【学位授予单位】：哈尔滨师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I561.073

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