美国意象派诗学思想研究

发布时间：2018-06-28 11:40

本文选题：意象 + 自由体　；参考：《南开大学》2013年博士论文

【摘要】：本论文以美国意象派诗歌的创作思想作为研究对象。美国意象派诗歌形成于二十世纪初。它是对当时在英美诗坛上占主导地位的维多利亚晚期浪漫主义创作风格的反拨。针对这股以滥情主义为主要特征的颓风,以庞德为首的美国意象派诗人提出了注重作者关于现代世界的真实感受的诗歌创作方式。这为意象派成为美国现代诗歌的开端奠定了重要基础。美国意象派诗人大多采用自由体的形式进行创作。自由体不仅可以打破传统的诗歌写作套路,而且能够最大限度地保证诗人的情感得到真实的呈现。与自由体相呼应的是美国意象派诗歌中的客观化语言。客观化并不意味着诗人的语言中不包含其主观思想。它指的是作者所使用的将其思想与情感转化为客观的、具体的事物,以便更有效地传达出其审美感受的一种诗歌表现方式。客观化的情感表达方式为美国意象派诗人以含蓄的语言进行创作创造了不可多得的有利条件。运用含蓄的语言表达审美感受,使意象主义诗人能够最大程度地摒弃绚丽的词藻和华美的修辞,转而在日常生活中挖掘出富于诗意的素材,并以不事雕琢的语言展示在读者的面前。为了突出这种不事雕琢的表达效果,美国意象派诗人大多把各种意象并列起来,并以此实现了将其瞬间对于世界的审美观照传递给读者的目的。这种意象并置的方法的运用带来的一个重要转变就是,人们在意象诗中看到的往往不是线性的陈述,而且一种具有立体感的诗歌结构。这种结构为增强美国意象主义诗歌的表现力发挥了重要作用。立体的诗歌结构大大凸显了意象在美国意象派诗歌中的核心地位。这不仅使诗人可以在有限的空间内表现丰赡的思想情感,同时也延长了人们对诗歌进行审美体验的时间,加大了审美的难度。这就是意象派诗歌中的陌生化效果。意象派的这些诗歌创作思想在美国二十世纪中后期的现代诗人创作中有巨大而深远的影响。作为美国文学发展史上的一个现代诗歌流派,意象派在革新诗歌传统的同时也向读者提出了更高的阅读要求。这使得读者中能够鉴赏并充分理解意象主义作品的人数寥寥。这一点不能不说是意象派诗学思想的遗憾。
[Abstract]:This thesis takes the creative thought of American imagist poetry as the research object. The American imagist poetry was formed in the early twentieth Century. It was a backdrop to the late romantic style of Vitoria, which was dominant in the Anglo American poetry world at that time. The American image, led by Pound, was aimed at the decadent style which was the main characteristic of the abuse doctrine. The poets put forward the poetic creation way that pays attention to the author's true feelings about the modern world, which lays an important foundation for the Imagist to become the beginning of the modern American poetry.
Most American Imagist poets are created in the form of free body. The free body can not only break the traditional way of poetry writing, but also ensure that the poet's emotion is truly presented.
The objective language in the American imagist poetry is echoed with the free body. Objectification does not mean that the poet's language does not contain its subjective thoughts. It refers to a poetic expression that the author uses to transform its thoughts and emotions into objective and specific things to convey their aesthetic feelings more effectively.
The objective expression of emotion creates a great advantage for American Imagist poets to create an implicit language. Using an implicit language to express aesthetic feelings, the Imagist poets will be able to abandon the magnificent words and rhetoric to the greatest extent, and to dig out poetic material in daily life. And display it in front of the reader in a language that is not carve.
In order to highlight the effect of this kind of expression, most American Imagist poets put together all kinds of images, and thus realize the purpose of passing their moments of the world to the readers. An important transformation brought by the use of the method of image juxtaposition is that people often see not lines in imagery poetry. Sexual expression, and a poetic structure with a three-dimensional sense. This structure plays an important role in enhancing the expressive power of American imagist poetry.
The three-dimensional poetic structure greatly highlights the core position of image in the Imagist Poetry of the United States. It not only enables the poet to express the rich thoughts and emotions in the limited space, but also prolongs the time for the aesthetic experience of the poetry and increases the difficulty of the aesthetic. This is the Defamiliarization effect of the Imagist poetry.
As a modern poetry school in the history of American literature, the Imagist, as a modern poetry school in the history of American literature, has put forward higher reading requirements to readers while innovating the tradition of poetry. This makes readers appreciate and make full use of it. The number of imagist works is very limited. This is a pity for Imagist poetics.
【学位授予单位】：南开大学
【学位级别】：博士
【学位授予年份】：2013
【分类号】：I712.072

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