论日本私小说及其对中国创造社作家的影响

发布时间：2018-06-28 11:39

本文选题：私小说 + 影响　；参考：《辽宁大学》2013年硕士论文

【摘要】：私小说，，日本近代文学中最独特的文学形式，一直被认为是文学的最高形式,在日本文学中占正统地位。它盛行于日本大正时期，曾一度占据着文坛主流的位置。私小说，被认为是日本文学史上最独特的文学表现形式和创作体裁，它的产生渗透了太多的日本民族传统的审美偏好和文化蕴涵。作为日本传统文化不可或缺的有机组成，存在且长期存在于日本传统文化的长河中。追溯私小说产生发展的历史，我们会发现，它萌芽于平安时期，它那自然、纤巧的风格和细致、全面的心理描写无不是继承了日本古典的日记和随笔等文学的精髓的结果。同时，日本通过明治维新运动，引进了欧洲的自然主义文学思潮，为私小说注入了活力。就这样，在内与外因、传统与现代相互融合，共同作用下，孕育产生了这一独特的文学形式——日本私小说。 20世纪20年代，中国很多的进步青年留学日本，郁达夫、郭沫若、张资平等留日青年一方面凭借日本开放的窗口,广泛接触和接受了西方先进思想，另一方面又受到正在兴起的日本自然主义及私小说的影响，为了在精神上改造中国愚弱的国民,也为了自身宣泄悲愤的情绪,他们不约而同地走上了文学创作的道路,并最终决定组建自己的文学团体——创造社，一起到国内的文学界去驰骋一番。“自我”可以说是日本私小说的灵魂，私小说的目的就是如实地再现自我；私小说不着眼外部事件的描写,而注重对个人心境的披沥，带有十分浓郁的抒情色彩：在行文结构上有极其明显的散文化倾向。私小说的这些特点与郁达夫、郭沫若、张资平等组建创造社的初衷和他们自身的审美有着天然的契合，他们在日本留学期间受到了私小说的广泛影响并借鉴私小说的创作方法创作了大量的小说。对中国现代文学产生了巨大影响。本文将对以郁达夫、郭沫若和张资平为代表的创造社作家为例来探讨日本私小说对中国创造社作家的影响和他们对日本私小说的借鉴、借鉴的原因。
[Abstract]:Private fiction, the most unique form of literature in modern Japanese literature, has always been regarded as the highest form of literature and occupies an orthodox position in Japanese literature. It prevailed in the Japanese Taisho period, once occupied the mainstream of the literary position. Private novels are considered to be the most unique forms of literary expression and creative genre in the history of Japanese literature, and their emergence permeates too many Japanese traditional aesthetic preferences and cultural implications. As an indispensable organic component of Japanese traditional culture, it exists in the long river of Japanese traditional culture for a long time. Tracing back to the history of the development of private fiction, we will find that it sprouted in the period of peace, and its natural, delicate style and meticulous and comprehensive psychological description are all the result of inheriting the essence of Japanese classical diaries and essays. At the same time, through the Meiji Restoration Movement, Japan introduced the European naturalistic literary trend, which injected vitality into private novels. In this way, the combination of internal and external causes, tradition and modernity has given birth to this unique literary form, Japanese private novels. In the 1920s, many of China's progressive young people studied abroad in Japan, Yu Dafu, On the one hand, Guo Moruo, Zhang Ziping and other young people studying in Japan, with the help of Japan's open window, have extensively come into contact with and accepted the advanced ideas of the West, on the other hand, they have been influenced by the rising Japanese naturalism and private novels. In order to transform China's foolish and weak people spiritually, and to release their own feelings of grief and indignation, they took the same path of literary creation and finally decided to set up their own literary organization, the Creative Society. Let's go to the literary circles in China. "ego" can be said to be the soul of Japanese private novels, the purpose of private novels is to truthfully reproduce themselves; private novels do not look at the description of external events, but pay attention to the drape of personal state of mind. With a very strong lyric color: in the structure of prose has a very obvious tendency of prose. These characteristics of private novels have a natural agreement with the original intention of Yu Dafu, Guo Moruo, Zhang Ziping and their own aesthetics. During their study abroad in Japan, they were extensively influenced by private novels and created a large number of novels by drawing on the methods of writing private novels. It has a great influence on modern Chinese literature. This paper will discuss the influence of Japanese private novels on Chinese creative society writers and the reasons for their reference to Japanese private novels, which are represented by Yu Dafu, Guo Moruo and Zhang Ziping.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I313.074;I207.42

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