从关联理论视角解析艾米丽狄金森诗歌的意象美
发布时间：2018-07-17 06:57
【摘要】：意象的研究在古代就开始兴起了。在诗歌中，意象是最为重要的特征之一。那么什么是“意象”呢？意象又是如何在诗歌中起着其他因素无可代替的作用呢？目前，许多学者致力于意象研究。同时对于诗歌意象的研究，学者们又把它扩大到了美学领域，这是一个进步。当然学者们也从哲学，心理学及语言学角度研究了意象及诗歌意象。本文从关联理论的角度研究了诗歌意象，，特别是对艾米丽狄金森的诗歌意象进行了较为深入的剖析。 一般来说，对诗歌意象的理解离不开对诗歌语境及诗人创作背景的充分理解。从关联理论看这样一种从读者到诗人的意象理解活动可以当做是一种交际活动。诗人就好比是说者，读者就好比是听者，诗人用他们的诗歌传递着他们的诗歌情感---信息意图，那么读者用他们的知识背景，认知能力去推断其诗歌隐含意义---交际意图，两者能在情感和信息上达到共鸣，我们就说两者信息感情相互显映。然而，每个人对于诗歌及诗歌意象的理解和共鸣程度不一样。为了达到读者的最佳理解度，读者必须花有效的努力去寻找诗歌及诗歌意象的最佳关联，即诗歌意象美。也就是说读者在欣赏一首诗歌时，需要收集和重组新旧信息，从而体会出这首诗歌的意象美。那么这样一个完整的交际活动就完成了。 本文对艾米丽狄金森的诗歌意象进行了案例分析，特别是她的自然诗歌，爱情诗歌，死亡诗歌及宗教诗歌中的意象。基于关联理论，作者试图去阐释如何用诗歌大意（诗面前提）和诗歌创作背景（隐含前提）品味诗歌的意象美（最佳语境效果）：对自然意象的描写体现了作者对自然的怜爱之情，对生命的敬畏之情；对爱情意象的描写体现了作者对爱情的渴求，以及对男权世界的反叛精神；对死亡意象的描写体现了作者面对死亡的大无畏精神；最后文章通过对宗教意象的描写体现了作者对上帝的怀疑，崇尚真理的人生态度。她的诗歌体现了“美即真，真即美”的意境，正如她在自己诗歌中所写：…为美而死，…为真理而死…。 总之，用关联理论理解诗歌意象是一个极其复杂的过程。目前，该研究也变成了一个综合化多学科的研究课题。诗歌意象研究在不断的发展，吸引了越来越多人的关注。尽管该论文有些不足点，作者仍希望它能给意象在诗歌中的理解带来一些有益的启示。
[Abstract]:The study of imagery began to rise in ancient times. In poetry, image is one of the most important features. So what is "image"? How can imagery play an irreplaceable role in poetry? At present, many scholars devote themselves to image research. At the same time, the study of poetic imagery has been expanded into the field of aesthetics by scholars, which is a progress. Of course, scholars have also studied imagery and poetic imagery from the perspectives of philosophy, psychology and linguistics. From the perspective of relevance theory, this paper studies poetic imagery, especially Emily Dickinson's poetic imagery. Generally speaking, the understanding of poetic imagery is inseparable from the full understanding of the poetic context and the background of the poet's creation. From the perspective of relevance theory, such an image comprehension activity from readers to poets can be regarded as a communicative activity. The poet is like a speaker, the reader is a listener, and the poet uses his poetry to convey their emotional and informational intention, and then the reader uses their knowledge background and cognitive ability to infer the implied meaning of their poetry-the communicative intention. The two can resonate in emotion and information, so we say they reflect each other. However, everyone's understanding and resonance of poetry and poetic imagery are different. In order to achieve the best understanding of the reader, the reader must make an effective effort to find the best connection of poetry and poetic image, that is, the beauty of poetic image. That is to say, readers need to collect and reorganize the old and new information when appreciating a poem, so as to realize the image beauty of this poem. Then such a complete social activity will be completed. This paper makes a case study of Emily Dickinson's poetic images, especially in her natural poems, love poems, death poems and religious poems. Based on relevance theory, The author tries to explain how to use the general idea of poetry and the background of poetry creation (implicit premise) to taste the beauty of poetry image (the best contextual effect): the description of natural image reflects the author's love for nature. The description of the image of love reflects the author's desire for love and the rebellious spirit of the male-dominated world, and the description of the image of death reflects the author's fearless spirit of facing death. Finally, through the description of religious images, the author's attitude towards God and truth is reflected. Her poems embody the artistic conception of "beauty is truth, truth is beauty", as she wrote in her own poem: 鈥
本文编号：2129500
[Abstract]:The study of imagery began to rise in ancient times. In poetry, image is one of the most important features. So what is "image"? How can imagery play an irreplaceable role in poetry? At present, many scholars devote themselves to image research. At the same time, the study of poetic imagery has been expanded into the field of aesthetics by scholars, which is a progress. Of course, scholars have also studied imagery and poetic imagery from the perspectives of philosophy, psychology and linguistics. From the perspective of relevance theory, this paper studies poetic imagery, especially Emily Dickinson's poetic imagery. Generally speaking, the understanding of poetic imagery is inseparable from the full understanding of the poetic context and the background of the poet's creation. From the perspective of relevance theory, such an image comprehension activity from readers to poets can be regarded as a communicative activity. The poet is like a speaker, the reader is a listener, and the poet uses his poetry to convey their emotional and informational intention, and then the reader uses their knowledge background and cognitive ability to infer the implied meaning of their poetry-the communicative intention. The two can resonate in emotion and information, so we say they reflect each other. However, everyone's understanding and resonance of poetry and poetic imagery are different. In order to achieve the best understanding of the reader, the reader must make an effective effort to find the best connection of poetry and poetic image, that is, the beauty of poetic image. That is to say, readers need to collect and reorganize the old and new information when appreciating a poem, so as to realize the image beauty of this poem. Then such a complete social activity will be completed. This paper makes a case study of Emily Dickinson's poetic images, especially in her natural poems, love poems, death poems and religious poems. Based on relevance theory, The author tries to explain how to use the general idea of poetry and the background of poetry creation (implicit premise) to taste the beauty of poetry image (the best contextual effect): the description of natural image reflects the author's love for nature. The description of the image of love reflects the author's desire for love and the rebellious spirit of the male-dominated world, and the description of the image of death reflects the author's fearless spirit of facing death. Finally, through the description of religious images, the author's attitude towards God and truth is reflected. Her poems embody the artistic conception of "beauty is truth, truth is beauty", as she wrote in her own poem: 鈥
本文编号：2129500
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