试论井伏鳟二初期作品的动物主人公形象

发布时间：2018-07-25 07:55

【摘要】：井伏鳟二是日本近代的小说家。本名叫做井伏满寿二。虽然在日本近代文学史上他被归为新兴艺术派作家里的一员，但却开创了属于自己的独特的艺术领域。特别是创作了许多以动物为主人公的作品，粗略统计大概有41篇之多。其中，1923年至1929年间发表的作品占大多数，对研究井伏鳟二文学来说，是不可忽视的部分。在作品中出现的动物主人公都有着什么样的意义和作用，他们都有哪些共同的特点，以及他们都寄托了作者什么样的创作意图和理念？本文将以初期的三部名作《山椒鱼》，《鲤》，《屋顶上的沙旺》为考察对象，在充分吸收前人研究成果的基础之上，对以上问题经行了研究和探讨。本文首先对于三篇作品的成立给予考察，通过整理动物主人公原型和作者后期进行的文学加工之间的关联，分析了动物主人公的作用和意义。这三篇作品都是井伏鳟二从现实生活中与动物接触的一些小事中受到启发，后经过文学加工而创作出来的虚构作品。因此作品中出现的动物主人公都可以说是作者忧愁心情的象征。其次，基于文本，通过对动物主人公的境遇，他们和作为叙述人的“我”以及其他动物之间的关系等方面的详细分析，总结出动物主人公的共同特点。即无论是山椒鱼，鲤鱼还是大雁沙旺，他们都有着不自由的命运，孤独的精神状态，和自我解放的强烈愿望。井伏鳟二用将自己化身成动物这种抒情的方法来叙说着处在迷茫期时自己的忧愁，孤独和希求。最后，本文从作者的个人经历，，动物趣味，以及当时社会和时代所带来的影响等几个方面着手，对井伏鳟二不以人而是用动物作为作品的主人公来表现自己内心忧愁的创作意图进行了探索。对动物深厚的喜爱之情，加上象征主义的影响以及社会和时代带来的闭塞感，再结合井伏鳟二自身独特的性格，才诞生了像《山椒鱼》，《鲤》，《屋顶上的沙旺》等一系列优秀的动物作品。总之，通过对三篇动物作品的动物主人公形象的分析，让我们多少能够窥探出初期井伏鳟二的文学创作理念和意图，同时也让我们看到了那个青春时代忧郁的作者的身影。
[Abstract]:Nobusui is a novelist in modern Japan. The real name is well Fu Man Shou II. Although he was classified as one of the writers of the new art school in the history of modern Japanese literature, he created his own unique field of art. In particular, he created many works about animals as the protagonist, roughly as many as 41 articles. Among them, most of the works published from 1923 to 1929 are not negligible for the study of well trout literature. What is the meaning and function of the animal protagonists in their works, what are their common characteristics, and what kind of creative intentions and ideas are they entrusted with? In this paper, we will take the three early masterpieces of "Mountain Pepper Fish", "carp" and "Shawang on the Roof" as the object of investigation. On the basis of fully absorbing the previous research results, the above problems have been studied and discussed. This paper first investigates the establishment of the three works and analyzes the role and significance of the animal protagonists by sorting out the relationship between the archetype of the protagonist and the literary processing carried out by the author in his later period. These three works are all fictional works created by Trout from the small things in real life and then processed by literature. Therefore, the animal protagonists in the works can be said to be a symbol of the author's sad mood. Secondly, through the detailed analysis of the situation of the animal protagonists, the relationship between them and the human beings and other animals, the common characteristics of the animal protagonists are summed up. That is, whether the mountain pepper fish, carp or wild goose Shawang, they have not free destiny, lonely mental state, and strong desire to emancipate themselves. With the lyrical way of incarnating itself into an animal, the trout describes its sadness, loneliness and desire in the midst of confusion. Finally, this article starts from the author's personal experience, animal interest, and the influence of the society and the times, and so on. This paper explores the creative intention of Kui Fu Trout to express his inner sorrow by using animals as the protagonists instead of human beings. The deep affection for animals, the symbolism influence and the sense of isolation brought about by society and times, combined with the unique character of Trout, A series of excellent animal works such as Mountain Pepper Fish, Cyprinus Carpio and Sawang on the Roof were born. In a word, through the analysis of the image of the animal protagonist in the three animal works, we can find out the literary creation idea and intention of the early stage, and at the same time, let us see the figure of the melancholy author of the youth.
【学位授予单位】：吉林大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I313.074

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