谷崎润一郎中国题材小说研究
发布时间：2018-08-10 20:48
【摘要】：日本唯美派大师谷崎润一郎是一个一生都与中国有着各种联系的作家。他不但深受中国文化的熏陶，还曾两次来中国旅行。通过少年时代与中国古典文学和中华料理的接触，谷崎获得了对中国的最初认识，，并产生了一种特殊的中国情结。在日本大正时代特殊的社会背景的影响下，谷崎日渐高涨的中国情结最终转化为“中国情趣”。在对中国的特殊感情的刺激下，谷崎更是创作了一系列以中国为题材的作品。本文针对其中的中国题材小说进行研究。 总的来说，以1918年的首次中国之旅为界，谷崎中国题材小说的创作可以分为前后两个时期。随着对中国认识的变化，谷崎前期和后期的作品亦呈现出不同的特征。本论文在研究时结合谷崎的个人经历以及大的时代背景，以谷崎的唯美主义艺术观、文学观，以他在相关作品中的主张和观点为参照，从整体上把握其中国题材小说创作的演变情况。主要关注下面两个问题：一是谷崎在作品中描写的是什么样的中国、是怎样描写的；二是谷崎的美意识在作品中的体现，即他在作品中塑造或表现的是什么样的美。全文由绪论、正文和结论三大部分构成。在绪论中先对作者及其流派进行简要介绍，并对本文的研究对象、研究方法等问题进行说明。正文由三个章节组成：第一章从谷崎受到的中国文化的熏陶、谷崎的两次中国之旅、谷崎的中国题材小说创作三方面探讨谷崎的中国情结，为后文的研究做铺垫；第二章从谷崎的前期艺术观入手，对他第一次中国之旅前创作的中国题材小说进行分析，指出这一时期作品中描述的中国并非一个真实的世界，而是源自中国古典文学和作者幻想的中国，并对其在作品中塑造的美进行讨论；第三章从谷崎大正时期的“中国情趣”入手，对他第一次中国之旅归来后创作的一系列中国题材小说进行分析，指出这一时期作品中描述的中国是作者将现实中国加以主观改造的幻境中国，并对作品中再现的中国的人之美、景之美和食之美进行讨论。最后，在结论部分对本文的研究成果做出总结。
[Abstract]:Yuichiro Tanizaki, a Japanese aesthetist, is a writer who has been associated with China all his life. He was not only deeply influenced by Chinese culture, but also visited China twice. Through his contacts with Chinese classical literature and Chinese cuisine as a teenager, Kuzaki gained an initial understanding of China and developed a special Chinese complex. Under the influence of the special social background of Japan's Taisho era, Kuzaki's rising Chinese complex was transformed into "Chinese interest". Stimulated by his special feelings for China, Kuzaki created a series of works about China. This paper focuses on Chinese novels. In a word, based on the first trip to China in 1918, the creation of Kuzaki's Chinese novels can be divided into two periods. With the change of understanding of China, the works of the early and later period of Tanizaki also show different characteristics. In this paper, the author combines his personal experience and the background of the times, referring to his views on aesthetic art and literature, as well as his views in relevant works. To grasp the evolution of his Chinese novel creation on the whole. It mainly focuses on the following two questions: first, what kind of China is described by Kuzaki in his works and how he describes it; second, the embodiment of his aesthetic consciousness in his works, that is, what kind of beauty he portrays or expresses in his works. The full text consists of three parts: introduction, text and conclusion. In the introduction, the author and his schools are briefly introduced, and the research object and research methods are explained. The main body is composed of three chapters: the first chapter discusses the Chinese complex of Kuzaki from three aspects: the influence of the Chinese culture on Guqi, the two trips to China of Kuzaki, and the creation of the Chinese novel of Kuzaki in three aspects, which pave the way for the later study; In the second chapter, the author analyzes the Chinese novels he created before his first trip to China, and points out that the China described in his works during this period is not a real world. It comes from China, which is fancied by classical Chinese literature and the author, and discusses the beauty created by it in his works. Chapter three begins with the "Chinese interest" in the period of Taisho Tanazaki. This paper analyzes a series of Chinese novels he wrote after his first trip to China, and points out that the China described in his works during this period is the fantasy China in which the author transforms the reality of China subjectively. The author also discusses the beauty of Chinese people, the beauty of scenery and the beauty of food. Finally, in the conclusion part of the research results of this paper made a summary.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I313.074
本文编号：2176160
[Abstract]:Yuichiro Tanizaki, a Japanese aesthetist, is a writer who has been associated with China all his life. He was not only deeply influenced by Chinese culture, but also visited China twice. Through his contacts with Chinese classical literature and Chinese cuisine as a teenager, Kuzaki gained an initial understanding of China and developed a special Chinese complex. Under the influence of the special social background of Japan's Taisho era, Kuzaki's rising Chinese complex was transformed into "Chinese interest". Stimulated by his special feelings for China, Kuzaki created a series of works about China. This paper focuses on Chinese novels. In a word, based on the first trip to China in 1918, the creation of Kuzaki's Chinese novels can be divided into two periods. With the change of understanding of China, the works of the early and later period of Tanizaki also show different characteristics. In this paper, the author combines his personal experience and the background of the times, referring to his views on aesthetic art and literature, as well as his views in relevant works. To grasp the evolution of his Chinese novel creation on the whole. It mainly focuses on the following two questions: first, what kind of China is described by Kuzaki in his works and how he describes it; second, the embodiment of his aesthetic consciousness in his works, that is, what kind of beauty he portrays or expresses in his works. The full text consists of three parts: introduction, text and conclusion. In the introduction, the author and his schools are briefly introduced, and the research object and research methods are explained. The main body is composed of three chapters: the first chapter discusses the Chinese complex of Kuzaki from three aspects: the influence of the Chinese culture on Guqi, the two trips to China of Kuzaki, and the creation of the Chinese novel of Kuzaki in three aspects, which pave the way for the later study; In the second chapter, the author analyzes the Chinese novels he created before his first trip to China, and points out that the China described in his works during this period is not a real world. It comes from China, which is fancied by classical Chinese literature and the author, and discusses the beauty created by it in his works. Chapter three begins with the "Chinese interest" in the period of Taisho Tanazaki. This paper analyzes a series of Chinese novels he wrote after his first trip to China, and points out that the China described in his works during this period is the fantasy China in which the author transforms the reality of China subjectively. The author also discusses the beauty of Chinese people, the beauty of scenery and the beauty of food. Finally, in the conclusion part of the research results of this paper made a summary.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I313.074
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