解读《回家》中拉康式的“欲望”
发布时间：2018-09-13 14:57
【摘要】：2005年诺贝尔文学奖得主,哈罗德·品特是二十世纪下半叶英国最杰出的戏剧家。“品特风格的”(pinteresque)这一形容词已经列入《牛津英语词典》。由此可见他在英国戏剧史上的地位。诺贝尔文学奖评语是这样评论他：“在作品中揭示出隐藏在日常闲谈之下的危机,并强行打开了受压抑的封闭房间。”瑞典皇家科学院说：“品特让戏剧回归它的最基本元素：一个封闭的空间,不可预测的对话,人物相互之间都可能被对方击败,虚伪土崩瓦解。” 品特早期的作品《回家》表现了一系列幻想的内容,即一个关于愿望或者欲望得到满足的梦想。本文从拉康的精神分析学角度重点分析《回家》中人与人之间的欲望,揭示人性的本质。本文共分为五个部分。 第一部分是导论。导论部分主要介绍品特的国内外研究状况,本文的主要内容和研究的现实意义。 第二部分是理论基础。理论部分主要介绍拉康的主体理论,特别是介绍拉康的欲望观。 第三部分以分析人物关系为平台,以性别为界点,详细分析了《回家》中男人之间和男女之间的欲望。鲁斯作为家中唯一的女子,利用自己的性别和身体优势,在和男性的欲望斗争中取得了最终的胜利。 第四部分主要讨论欲望产生的威胁感。欲望的争斗不仅有着胜负的结果,也有着强烈的威胁感。在回家的路上,没有家人的温馨,有的却是对自己欲望不能实现的担心。 最后一部分是结论。结论是对文章前几部分的回顾,让读者深入了解品特的欲望主题,并把欲望的争斗深入到人性的角度进行探索,启迪我们的人生,让我们更好的把握自己内心的欲望之火。
[Abstract]:Harold Pinter, winner of the 2005 Nobel Prize for Literature, was Britain's most prominent dramatist in the second half of the twentieth century. The adjective "Pinter style" (pinteresque) has been included in the Oxford English Dictionary. This shows his position in the history of English drama. The Nobel Prize for Literature commented on him as follows: "the work reveals a crisis hidden under everyday gossip and forces the oppressed closed room." The Royal Swedish Academy of Sciences said: "Pinter brings drama back to its most basic elements: a closed space, unpredictable dialogue, characters that can be defeated by each other, hypocrisy collapsing." Pinter's early work Home shows a series of illusions, a dream of desire or desire to be fulfilled. This paper, from Lacan's psychoanalytic point of view, focuses on the analysis of the desire between people and reveals the essence of human nature. This paper is divided into five parts. The first part is an introduction. The introduction mainly introduces Pinter's research situation at home and abroad, the main contents of this paper and the practical significance of the research. The second part is the theoretical basis. The theoretical part mainly introduces Lacan's subject theory, especially Lacan's desire view. In the third part, the author analyzes the desire between men and women on the basis of analyzing the relationship between men and women and taking gender as the boundary point. Ruth, the only woman in the family, took advantage of her gender and body strength to win the battle against men's desires. The fourth part mainly discusses the sense of threat produced by desire. The struggle of desire has not only the result of victory and defeat, but also a strong sense of threat. On the way home, without the warmth of family, some are worried that their desires can not be realized. The last part is the conclusion. The conclusion is the review of the first parts of the article, let the reader deeply understand the theme of Pinter's desire, and explore the struggle of desire into the angle of human nature, enlighten our life, let us better grasp the fire of desire in our own heart.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I561.073
本文编号：2241504
[Abstract]:Harold Pinter, winner of the 2005 Nobel Prize for Literature, was Britain's most prominent dramatist in the second half of the twentieth century. The adjective "Pinter style" (pinteresque) has been included in the Oxford English Dictionary. This shows his position in the history of English drama. The Nobel Prize for Literature commented on him as follows: "the work reveals a crisis hidden under everyday gossip and forces the oppressed closed room." The Royal Swedish Academy of Sciences said: "Pinter brings drama back to its most basic elements: a closed space, unpredictable dialogue, characters that can be defeated by each other, hypocrisy collapsing." Pinter's early work Home shows a series of illusions, a dream of desire or desire to be fulfilled. This paper, from Lacan's psychoanalytic point of view, focuses on the analysis of the desire between people and reveals the essence of human nature. This paper is divided into five parts. The first part is an introduction. The introduction mainly introduces Pinter's research situation at home and abroad, the main contents of this paper and the practical significance of the research. The second part is the theoretical basis. The theoretical part mainly introduces Lacan's subject theory, especially Lacan's desire view. In the third part, the author analyzes the desire between men and women on the basis of analyzing the relationship between men and women and taking gender as the boundary point. Ruth, the only woman in the family, took advantage of her gender and body strength to win the battle against men's desires. The fourth part mainly discusses the sense of threat produced by desire. The struggle of desire has not only the result of victory and defeat, but also a strong sense of threat. On the way home, without the warmth of family, some are worried that their desires can not be realized. The last part is the conclusion. The conclusion is the review of the first parts of the article, let the reader deeply understand the theme of Pinter's desire, and explore the struggle of desire into the angle of human nature, enlighten our life, let us better grasp the fire of desire in our own heart.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I561.073
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