关于芥川龙之介《地狱变》中“分身现象”的研究
发布时间：2018-09-16 18:54
【摘要】：芥川龙之介是日本大正时期的代表作家,被誉为“鬼才”小说家,一生创作了140多篇短篇小说和大量的文学评论、游记随笔等。芥川龙之介的短篇小说,不论是历史小说还是现代小说,芥川龙之介通过其熟练的语言技巧,细致的心理描写,巧妙的情节安排,在表现和反映出人类复杂内心世界的同时,也再现了作者的真情实感。《地狱变》正是其历史小说中的代表之作,评论界对于《地狱变》的作品分析主要有两个倾向:一、围绕“艺术至上”这一主题,结合作者芥川龙之介的经历,突出强调追求艺术的至上境界须不惜任何代价,放弃人间的一切道德和情感;二、以画师良秀的悲剧性的一生,揭露现实“地狱”的悲惨,通过善恶矛盾的冲突对立,揭露社会现实的残酷。此外,对于芥川龙之介的动物题材小说,中外学者也都有关注。就《地狱变》中“猴子”和“良秀”的研究探讨也不在少数,但是将《地狱变》中“猴子”和“良秀”的形象与西方文学理论相结合进行的研究还有待于进一步深入。本文试图通过考究芥川龙之介同哥特文学之间的渊源联系,引入哥特小说中“分身”这一表现形式概念,从全新视角探究芥川龙之介《地狱变》中“良秀”与“猴子”这两个形象之间的关系。首先,通过“良秀”与“猴子”的具体文本分析,考证这两个形象的内在联系和所蕴含的深刻意义,论证“良秀”的分身是“猴子”。其次,探索与作者之间的内在联系。最后,通过结合具体历史背景、社会原因,分析“分身”的深刻社会历史涵义。第一章为本文序章,对芥川龙之介的作品《地狱变》的相关先行研究资料进行罗列,介绍作品《地狱变》以及哥特文学的起源、特点和历史背景,并对哥特文学中的“分身”这一概念进行阐释。其次,论述芥川龙之介同哥特文学的关联性,重点阐述埃德加·爱伦·坡这一哥特文学家对芥川龙之介产生的影响。最后,对本文论述的内容和意义进行综述,。第二章,首先分析考察《地狱变》中的猴子形象,通过小说的旁白以及作品中对良秀和女儿的描写,探索“猴子”和“良秀”之间的联系,经由具体的文本分析论证猴子是良秀的分身这一结论。最后,从二重对立和矛盾的选择这两方面论证“分身表现”的具体化效果。第三章,进一步分析作者与作品中人物之间的内在联系,考察《白》、《蛛丝》、《女人》、《河童》等一系列动物题材小说中的“分身表现”,探究芥川龙之介作品中存在的“分身”这一艺术手法的共通点。第四章,结合日本当时的人情风貌与社会现实,以中日甲午战争、日俄战争和第一次世界大战这三次战役为重点,再现日本这一历史变革时期的历史背景,在此基础上探讨“分身表现”中蕴含的真正含义。探究“分身表现”与人性的复杂、作者自身以及当时的日本社会之间的联系。第五章是本论文的结论部分,主要有两点:1、阐释和归纳论文的观点和研究成果;2、反省本论文的不足之处,提出今后的课题和研究方向。
[Abstract]:Akutagawa Ryunosuke is a representative writer of the Japanese Orthodox Period, known as a "ghost talented" novelist, has created more than 140 short stories and a large number of literary criticism, travel essays, etc. Akutagawa Ryunosuke's short stories, whether historical novels or modern novels, through his skilled language skills, meticulous psychological description. The ingenious plot arrangement not only reflects and reflects the complex inner world of human beings, but also reproduces the author's true feelings. He emphasized that the pursuit of the supreme realm of art must give up all human morality and emotion at any cost; secondly, with the tragic life of Liang Xiu, a painter, he exposed the tragedy of the real "hell" and the cruelty of social reality through the conflict between good and evil. The study of "monkey" and "good show" in Hell Change is not rare, but the study of the combination of the image of "monkey" and "good show" in Hell Change with western literary theory needs further study. This paper introduces the concept of "separation" in Gothic novels and explores the relationship between the two images of "good show" and "monkey" in Akutagawa Dragon's Hell Change from a new perspective. The first chapter is the preface of this paper, which lists the related research materials of Akutagawa Dragon's work Hell Change and introduces his work. Hell's Change and the origin, characteristics and historical background of Gothic literature are discussed. The concept of "separation" in Gothic literature is explained. Secondly, the relationship between Akutagawa Dragon and Gothic literature is discussed. The influence of Edgar Allan Poe, a Gothic writer, on Akutagawa Dragon's separation is emphasized. In the second chapter, the author first analyzes and inspects the image of monkey in Hell's Change, explores the relationship between "monkey" and "good show" by narrating the novel and describing Liangxiu and her daughter, and then proves the conclusion that monkey is the separation of "good show" through specific text analysis. In the third chapter, the author further analyzes the internal relationship between the author and the characters in his works, examines the "separation" in a series of animal novels, such as "white", "spider silk", "woman", "river boy", and explores the artistic technique of "separation" in Akutagawa Dragon's works. Chapter Four, based on the Japanese human feelings and social realities at that time, focuses on the Sino-Japanese Sino-Japanese War of 1894-1895, the Russian-Japanese War and the First World War, reappears the historical background of this period of historical change in Japan, and explores the real meaning of "separation performance" and human beings. The fifth chapter is the conclusion of this paper, which mainly includes two points: 1. explaining and summarizing the viewpoints and research results of this paper; 2. introspecting the deficiencies of this paper, and putting forward the future topics and research directions.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I313.074
本文编号：2244440
[Abstract]:Akutagawa Ryunosuke is a representative writer of the Japanese Orthodox Period, known as a "ghost talented" novelist, has created more than 140 short stories and a large number of literary criticism, travel essays, etc. Akutagawa Ryunosuke's short stories, whether historical novels or modern novels, through his skilled language skills, meticulous psychological description. The ingenious plot arrangement not only reflects and reflects the complex inner world of human beings, but also reproduces the author's true feelings. He emphasized that the pursuit of the supreme realm of art must give up all human morality and emotion at any cost; secondly, with the tragic life of Liang Xiu, a painter, he exposed the tragedy of the real "hell" and the cruelty of social reality through the conflict between good and evil. The study of "monkey" and "good show" in Hell Change is not rare, but the study of the combination of the image of "monkey" and "good show" in Hell Change with western literary theory needs further study. This paper introduces the concept of "separation" in Gothic novels and explores the relationship between the two images of "good show" and "monkey" in Akutagawa Dragon's Hell Change from a new perspective. The first chapter is the preface of this paper, which lists the related research materials of Akutagawa Dragon's work Hell Change and introduces his work. Hell's Change and the origin, characteristics and historical background of Gothic literature are discussed. The concept of "separation" in Gothic literature is explained. Secondly, the relationship between Akutagawa Dragon and Gothic literature is discussed. The influence of Edgar Allan Poe, a Gothic writer, on Akutagawa Dragon's separation is emphasized. In the second chapter, the author first analyzes and inspects the image of monkey in Hell's Change, explores the relationship between "monkey" and "good show" by narrating the novel and describing Liangxiu and her daughter, and then proves the conclusion that monkey is the separation of "good show" through specific text analysis. In the third chapter, the author further analyzes the internal relationship between the author and the characters in his works, examines the "separation" in a series of animal novels, such as "white", "spider silk", "woman", "river boy", and explores the artistic technique of "separation" in Akutagawa Dragon's works. Chapter Four, based on the Japanese human feelings and social realities at that time, focuses on the Sino-Japanese Sino-Japanese War of 1894-1895, the Russian-Japanese War and the First World War, reappears the historical background of this period of historical change in Japan, and explores the real meaning of "separation performance" and human beings. The fifth chapter is the conclusion of this paper, which mainly includes two points: 1. explaining and summarizing the viewpoints and research results of this paper; 2. introspecting the deficiencies of this paper, and putting forward the future topics and research directions.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I313.074
【参考文献】
相关期刊论文 前2条
1 贺江;;从《地狱变》看芥川龙之介的艺术至上主义[J];安徽文学(下半月);2009年10期
2 白晶;从《地狱图》看芥川龙之介的人生观和艺术观[J];长春大学学报;2003年01期
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