《所罗门之歌》中男性形象分析
发布时间：2018-10-25 18:56
【摘要】：作为第一位荣获诺贝尔文学奖的黑人女作家,托尼·莫里森(1931-)始终把目光投向本民族的历史与现状,并从非洲黑人文化中汲取丰富的营养。在表现和探索非裔美国人生存和命运主题的同时,其作品中优美,有力及诗一般的语言引起学术界的广泛关注并得到世界的承认。 《所罗门之歌》是托尼·莫里森的第三部小说,也是迄今为止其唯一一部以黑人男性为主角的作品。该小说奠定了她在美国小说界的地位,使她成为美国当代最伟大作家之一。本文首先对作品中三位主要的男性人物进行了全面的分析,并指出他们是三种不同类型的非裔美国人的典型代表。结合作者的个人生活经历及小说的时代背景,本文从两个方面尝试性地分析研究了莫里森塑造三个男性角色的深层原因。 麦肯·戴得二世是物质财富的崇拜者,认为物质能帮他得到想要的东西,而对于家人及周围其他人都毫不关心。同时,他在各个方面模仿白人,有一颗白人的心。他是白化了的黑人中产阶级代表。在富裕的黑人家庭长大的奶娃在很多方面和他父亲麦肯很相像。在三十二岁之前,他过着一种百无聊赖、漫无目的的生活。经过了南方之行,他从一个自私和被白人同化了的黑人男青年转变为黑人文化遗产的继承者,身心获得了成熟。他是追寻非裔美国人文化之根的黑人青年代表。吉它来自于贫穷的黑人下层。童年的悲惨遭遇使其对白人充满了仇恨,从而采取极端的暴力手段对白人进行报复。他是极端的黑人种族主义者的代表。 通过对三位男性人物的描绘,莫里森展示了在白人占主导地位的美国社会中,三种不同类型的非裔美国人各自寻求摆脱种族歧视和压迫的方法。以麦肯为代表的中产阶级选择同化的方式,盲目地融入美国主流社会,并在这一过程中抛弃黑人文化遗产,结果不仅没有被白人接受,还疏离了自己的黑人族群。以吉它为代表的下层黑人借助于暴力报复整个白人社会,以求摆脱种族主义者的压迫,也被证明是死路一条。显然莫里森对这两种极端做法是不赞同的。莫里森提倡的是奶娃回归黑人文化以战胜种族主义,以期真正获得与白人同等地位的做法。通过奶娃莫里森表明：只有回归黑人传统文化,非裔美国人才能在美国种族主义社会中生存下来。 作为主人公,奶娃的成长离不开以其姑妈帕拉特及另一黑人老妇瑟斯为代表的黑人女性的引导。作为精神导师,她们在奶娃的成长过程中发挥了重要作用。通过对这两位女性形象的描绘,莫里森凸显了女性在黑人两性关系中的力量。
[Abstract]:As the first black woman writer to win the Nobel Prize for Literature, Tony Morrison (1931-) always focused on the history and present situation of his own nation and drew rich nutrition from African black culture. While expressing and exploring the themes of the existence and destiny of African-American people, the beautiful, powerful and poetic language in his works has attracted extensive attention of the academic community and been recognized by the world. Song of Solomon is Tony Morrison's third novel and the only one in which black men are the protagonists. The novel established her position in American fiction and made her one of the greatest contemporary American writers. This paper first makes a comprehensive analysis of the three main male characters in the works and points out that they are typical representatives of three different types of African-American. Combined with the author's personal life experience and the background of the novel, this paper tries to analyze and study the deep reasons why Morrison molded the three male characters from two aspects. McCann Dade II was an admirer of material wealth, believing that it would help him get what he wanted without caring for his family or others around him. At the same time, he imitated the white man in every way, and had a white heart. He is the white representative of the black middle class. Milkboy, who grew up in a wealthy black family, is in many ways like his father McCann. Until he was 32, he lived a life of boredom and aimlessness. After a trip to the South, he was transformed from a selfish and white assimilated black male into a black heritage successor, physically and mentally matured. He was a black youth representative seeking the roots of African-American culture. The guitar comes from the poor black underclass. The tragic experiences of childhood filled him with hatred towards white people and used extreme violence to retaliate against them. He is the representative of the extreme black racists. By depicting three male characters, Morrison shows that in white American society, three different types of African-Americans seek to free themselves from racial discrimination and oppression. The middle class represented by McCann chose the way of assimilation, blindly integrated into the mainstream society of the United States, and abandoned the black cultural heritage in this process. As a result, it was not only not accepted by white people, but also alienated from its own black ethnic group. The lower-class blacks, represented by the guitar, have turned to violence against the whole white society in order to free themselves from the oppression of the racists, which has also proved to be a dead end. Morrison clearly disagrees with both extremes. Morrison advocated the return of Niwa to black culture to overcome racism in order to truly achieve equal status with whites. According to Milwaugh Morrison, African Americans can survive in American racist society only if they return to traditional black culture. As the protagonist, Niwa's growth can not be separated from the guidance of black women, represented by his aunt Pratt and another old black woman, Seth. As spiritual mentors, they played an important role in the growth of milk babies. By depicting the two women, Morrison highlights the power of women in black relationships.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074
本文编号：2294541
[Abstract]:As the first black woman writer to win the Nobel Prize for Literature, Tony Morrison (1931-) always focused on the history and present situation of his own nation and drew rich nutrition from African black culture. While expressing and exploring the themes of the existence and destiny of African-American people, the beautiful, powerful and poetic language in his works has attracted extensive attention of the academic community and been recognized by the world. Song of Solomon is Tony Morrison's third novel and the only one in which black men are the protagonists. The novel established her position in American fiction and made her one of the greatest contemporary American writers. This paper first makes a comprehensive analysis of the three main male characters in the works and points out that they are typical representatives of three different types of African-American. Combined with the author's personal life experience and the background of the novel, this paper tries to analyze and study the deep reasons why Morrison molded the three male characters from two aspects. McCann Dade II was an admirer of material wealth, believing that it would help him get what he wanted without caring for his family or others around him. At the same time, he imitated the white man in every way, and had a white heart. He is the white representative of the black middle class. Milkboy, who grew up in a wealthy black family, is in many ways like his father McCann. Until he was 32, he lived a life of boredom and aimlessness. After a trip to the South, he was transformed from a selfish and white assimilated black male into a black heritage successor, physically and mentally matured. He was a black youth representative seeking the roots of African-American culture. The guitar comes from the poor black underclass. The tragic experiences of childhood filled him with hatred towards white people and used extreme violence to retaliate against them. He is the representative of the extreme black racists. By depicting three male characters, Morrison shows that in white American society, three different types of African-Americans seek to free themselves from racial discrimination and oppression. The middle class represented by McCann chose the way of assimilation, blindly integrated into the mainstream society of the United States, and abandoned the black cultural heritage in this process. As a result, it was not only not accepted by white people, but also alienated from its own black ethnic group. The lower-class blacks, represented by the guitar, have turned to violence against the whole white society in order to free themselves from the oppression of the racists, which has also proved to be a dead end. Morrison clearly disagrees with both extremes. Morrison advocated the return of Niwa to black culture to overcome racism in order to truly achieve equal status with whites. According to Milwaugh Morrison, African Americans can survive in American racist society only if they return to traditional black culture. As the protagonist, Niwa's growth can not be separated from the guidance of black women, represented by his aunt Pratt and another old black woman, Seth. As spiritual mentors, they played an important role in the growth of milk babies. By depicting the two women, Morrison highlights the power of women in black relationships.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I712.074
【参考文献】
相关硕士学位论文 前2条
1 邬帅;《所罗门之歌》的喻指分析[D];中南大学;2007年
2 顾思毓;《所罗门之歌》中奶人的拉康式解读[D];青岛大学;2012年
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