论普希金《四小悲剧》中的道德哲学内涵
发布时间：2018-12-18 11:16
【摘要】：在俄罗斯文学史上亚历山大·普希金开启了一个新的时代,他对俄罗斯文学和俄罗斯标准语都做出了勇敢的改革。他以戏剧实践开启了戏剧创作的新篇章,创作了现实主义悲剧。在他的创作后期,普希金拓展了现实主义手法,把创作中心从描绘周围生活形象转至深入探讨主人公的哲学、心理和社会问题。普希金的《四小悲剧》正是这一转型时期的显著代表。《四小悲剧》的悲剧性不仅在于各个人物的死亡结局,更在于以对个体的描述显现出整个时代的悲剧性。 《四小悲剧》由四部独立的戏剧作品组成,包括《吝啬的骑士》、《莫扎特与萨利耶里》、《石客》和《瘟疫肆虐时的盛宴》。每部小悲剧都具象化地体现了《四小悲剧》整体所蕴含的深刻的道德哲学意义,至今仍带给我们诸多思考。《四小悲剧》以死亡为主线,体现了人性的恶,而这些人性的陋习正是由时代所决定,人的自我意识的觉醒促进了人对自由的追求和反抗。因此,研究人与社会的矛盾这一主题能让我们更深入地理解俄罗斯文学和俄罗斯灵魂。 在俄罗斯,虽然对普希金的《四小悲剧》的研究已比较深入,但从整体上对四小悲剧的道德哲学内涵进行深入探讨的研究还未出现,有的只是对单个悲剧的分析与探讨。在中国,对《四小悲剧》道德哲学内涵的研究更是一片空白。本文以《四小悲剧》为文本研究材料,把《四小悲剧》置于普希金的整个创作体系中,从整体上对四小悲剧所蕴含的道德哲学内涵进行深入研究,从而揭示出人与社会之间不可调和的矛盾冲突及其产生的原因,进而揭示出《四小悲剧》对于普希金创作的整体意义,管窥普希金道德哲学思想的演变。 论文分为前言,主要内容和结论三个部分。在前言中,我们介绍了本文的研究对象、目的、方法、结构和意义。主要内容分为三章,第一章主要阐述本研究的理论基础；第二章分别分析各个小悲剧的主题,进而论述其蕴含的道德哲学意义；第三章从整体上思考《四小悲剧》的道德哲学内涵,并且探索这些不可调和的矛盾及其悲剧产生的原因,以及《四小悲剧》之于普希金创作的整体意义。最后得出本文的结论,论文最后附有参考文献。
[Abstract]:Alexander Pushkin opened a new era in the history of Russian literature. He made brave reforms in Russian literature and Russian standard language. He opened a new chapter of drama creation with drama practice and created realistic tragedy. In his later period, Pushkin expanded his realism and shifted the center of creation from depicting the living image around him to the philosophical, psychological and social problems of the protagonist. Pushkin's "four small tragedies" is a remarkable representative of this transition period. The tragedy of "four small tragedies" lies not only in the death outcome of each character, but also in the tragic appearance of the whole era with the description of the individual. The four Little tragedies consist of four independent dramas, including the Horseman of the stingy, Mozart and Saliyeri, the Rock, and the Banquet of the Plague. Each small tragedy embodies the profound moral and philosophical significance of the whole of "four small tragedies", and still brings us a lot of thinking up to now. "the four tragedies" take death as the main line and embody the evil of human nature. These bad habits of human nature are determined by the times, and the awakening of human self-consciousness promotes the pursuit and resistance of freedom. Therefore, the study of contradiction between human and society can help us to understand Russian literature and Russian soul more deeply. In Russia, although the study of Pushkin's "four small tragedies" has been more in-depth, but the overall study of the moral and philosophical connotation of the four tragedies has not appeared, but only the analysis and discussion of a single tragedy. In China, the study on the connotation of moral philosophy is a blank. This paper takes "four small tragedies" as the textual research material, puts "four small tragedies" in the whole creation system of Pushkin, carries on the thorough research on the moral philosophy connotation of the four small tragedies as a whole. Thus it reveals the irreconcilable contradiction and conflict between man and society and its causes, and then reveals the overall significance of "four tragedies" to Pushkin's creation, and probes into the evolution of Pushkin's moral philosophy. The paper is divided into three parts: preface, main content and conclusion. In the preface, we introduce the object, purpose, method, structure and significance of this paper. The main contents are divided into three chapters: the first chapter mainly elaborates the theoretical basis of this study, the second chapter analyzes the themes of each small tragedy, and then discusses the moral and philosophical significance of it. The third chapter considers the moral philosophy connotation of "four small tragedies" from the whole, and explores these irreconcilable contradictions and the causes of their tragedies, as well as the overall significance of "four small tragedies" to Pushkin's creation. Finally, the conclusion of this paper is drawn, and the reference literature is attached at the end of the paper.
【学位授予单位】：浙江大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I512.073
本文编号：2385767
[Abstract]:Alexander Pushkin opened a new era in the history of Russian literature. He made brave reforms in Russian literature and Russian standard language. He opened a new chapter of drama creation with drama practice and created realistic tragedy. In his later period, Pushkin expanded his realism and shifted the center of creation from depicting the living image around him to the philosophical, psychological and social problems of the protagonist. Pushkin's "four small tragedies" is a remarkable representative of this transition period. The tragedy of "four small tragedies" lies not only in the death outcome of each character, but also in the tragic appearance of the whole era with the description of the individual. The four Little tragedies consist of four independent dramas, including the Horseman of the stingy, Mozart and Saliyeri, the Rock, and the Banquet of the Plague. Each small tragedy embodies the profound moral and philosophical significance of the whole of "four small tragedies", and still brings us a lot of thinking up to now. "the four tragedies" take death as the main line and embody the evil of human nature. These bad habits of human nature are determined by the times, and the awakening of human self-consciousness promotes the pursuit and resistance of freedom. Therefore, the study of contradiction between human and society can help us to understand Russian literature and Russian soul more deeply. In Russia, although the study of Pushkin's "four small tragedies" has been more in-depth, but the overall study of the moral and philosophical connotation of the four tragedies has not appeared, but only the analysis and discussion of a single tragedy. In China, the study on the connotation of moral philosophy is a blank. This paper takes "four small tragedies" as the textual research material, puts "four small tragedies" in the whole creation system of Pushkin, carries on the thorough research on the moral philosophy connotation of the four small tragedies as a whole. Thus it reveals the irreconcilable contradiction and conflict between man and society and its causes, and then reveals the overall significance of "four tragedies" to Pushkin's creation, and probes into the evolution of Pushkin's moral philosophy. The paper is divided into three parts: preface, main content and conclusion. In the preface, we introduce the object, purpose, method, structure and significance of this paper. The main contents are divided into three chapters: the first chapter mainly elaborates the theoretical basis of this study, the second chapter analyzes the themes of each small tragedy, and then discusses the moral and philosophical significance of it. The third chapter considers the moral philosophy connotation of "four small tragedies" from the whole, and explores these irreconcilable contradictions and the causes of their tragedies, as well as the overall significance of "four small tragedies" to Pushkin's creation. Finally, the conclusion of this paper is drawn, and the reference literature is attached at the end of the paper.
【学位授予单位】：浙江大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I512.073
【参考文献】
相关期刊论文 前2条
1 任光宣;普希金与《圣经》关系初探[J];俄罗斯文艺;1999年02期
2 麻兰坤;;普希金四小悲剧的宗教意义及其内涵与外延[J];内蒙古电大学刊;2006年09期
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