宗教批判：《微物之神》中的女性研究
发布时间：2019-01-03 07:45
【摘要】：阿兰达蒂·罗伊（Arundhati Roy,1961----），是当代最受关注的印度本土女作家之一。她的小说创作迄今为止虽然只有一部《微物之神》，但在这部作品中，作家凭借“诗化”的叙述，“意识流”式的结构和深刻的现实隐喻性获得了世界读者的关注。小说描写了生活在印度传统宗教束缚下的女性从觉醒、反抗到追求自由的艰难历程，真实地揭露了印度传统宗教陋习对社会的危害，反映了作家对印度女性生存状况的关注，凸显了她对当代印度社会发展的积极参与、深切关注与思考。 全文分为五个部分： 绪论部分综述作家的生平及创作，国内外对《微物之神》的研究情况，并指出作品中所体现的宗教文化与女性地位的价值和意义。 第一章考察印度文化传统对女性地位的影响。首先，印度文化是一种宗教文化，宗教对女性的规定对于印度教徒来说是至高无上的。随着印度教的发展，不同时期的印度教经典也随之出现，虽然经典不同，对印度女性地位的规定却是相同的，都以“法规”的形式束缚着女性的思想，限制女性的自由。其次，，作为印度教等级森严的身份制度——种姓制度，通过婚姻制度的影响主宰女性的生活，给女性戴上了沉重的枷锁。 第二章分析作品中所描写的女性生存状况以及觉醒和反抗的过程。为了追求爱情背叛信仰的宝宝克加玛，为了摆脱世俗的羁绊进行多次反抗的阿穆，她们代表了不同历史时期印度女性的反抗，表现出女性追求自由平等的强烈愿望。虽然她们在强大的传统面前最终失败了，但是作家对她们不断认识自我的过程给予了肯定。 第三章论述罗伊对印度传统宗教的认识，以及作者对女性解放道路的看法。罗伊批判了印度传统宗教经典、道德规范中存在的性别歧视，提倡从传统宗教中发掘肯定女性、提倡两性平等的思想资源，提出了她对于印度女性解放的看法：在肯定女性自我价值的基础上，号召社会的积极配合，从而实现印度女性的平等与自由。 结语部分对全文进行总结，指出罗伊的创作活动对认识印度当代文学、当代社会，特别是印度女性解放的意义。
[Abstract]:Arundhati Roy,1961- is one of the most watched women writers in India. Although her novel has only one god of micro-objects so far, the writer has attracted the attention of readers in the world through the poetic narration, the structure of "stream of consciousness" and the profound metaphorical nature of reality. The novel describes the difficult course of women living in the bondage of Indian traditional religion from awakening, resisting to pursuing freedom. It truly exposes the harm to society caused by the bad habits of Indian traditional religion and reflects the writers' concern about the living conditions of Indian women. It highlights her active participation in the development of contemporary Indian society and her deep concern and thinking. The full text is divided into five parts: the introduction part summarizes the writer's life and creation, the domestic and foreign research on the "God of the tiny things", and points out the value and significance of religious culture and the status of women in the works. The first chapter examines the influence of Indian cultural tradition on the status of women. First, Indian culture is a religious culture, religious rules for women are paramount to Hindus. With the development of Hinduism, the Hindu classics of different periods also appeared. Although the classics are different, the regulations on the status of women in India are the same. They all bind women's thoughts and restrict their freedom in the form of "regulations". Secondly, caste system, which is a strict Hindu identity system, dominates women's life through the influence of marriage system and puts heavy shackles on women. The second chapter analyzes the living conditions of women and the process of awakening and revolt. In order to pursue love and betrayal of the faith of the baby Kegama, in order to get rid of the worldly fetters to carry out a number of resistance Amu, they represent the resistance of Indian women in different historical periods, showing the strong desire of women to pursue freedom and equality. Although they failed in the face of strong traditions, writers acknowledge their constant process of knowing themselves. The third chapter discusses Roy's understanding of traditional Indian religion and the author's views on the emancipation of women. Roy criticized the traditional Indian religious classics, the gender discrimination in the moral code, advocated from the traditional religion to explore the affirmation of women, advocate gender equality ideological resources, This paper puts forward her view on the emancipation of women in India: on the basis of affirming the self-worth of women, she calls on the society to cooperate actively so as to realize the equality and freedom of Indian women. The conclusion summarizes the full text and points out the significance of Roy's creative activities to the understanding of contemporary Indian literature, contemporary society, especially the liberation of Indian women.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I351.074
本文编号：2399078
[Abstract]:Arundhati Roy,1961- is one of the most watched women writers in India. Although her novel has only one god of micro-objects so far, the writer has attracted the attention of readers in the world through the poetic narration, the structure of "stream of consciousness" and the profound metaphorical nature of reality. The novel describes the difficult course of women living in the bondage of Indian traditional religion from awakening, resisting to pursuing freedom. It truly exposes the harm to society caused by the bad habits of Indian traditional religion and reflects the writers' concern about the living conditions of Indian women. It highlights her active participation in the development of contemporary Indian society and her deep concern and thinking. The full text is divided into five parts: the introduction part summarizes the writer's life and creation, the domestic and foreign research on the "God of the tiny things", and points out the value and significance of religious culture and the status of women in the works. The first chapter examines the influence of Indian cultural tradition on the status of women. First, Indian culture is a religious culture, religious rules for women are paramount to Hindus. With the development of Hinduism, the Hindu classics of different periods also appeared. Although the classics are different, the regulations on the status of women in India are the same. They all bind women's thoughts and restrict their freedom in the form of "regulations". Secondly, caste system, which is a strict Hindu identity system, dominates women's life through the influence of marriage system and puts heavy shackles on women. The second chapter analyzes the living conditions of women and the process of awakening and revolt. In order to pursue love and betrayal of the faith of the baby Kegama, in order to get rid of the worldly fetters to carry out a number of resistance Amu, they represent the resistance of Indian women in different historical periods, showing the strong desire of women to pursue freedom and equality. Although they failed in the face of strong traditions, writers acknowledge their constant process of knowing themselves. The third chapter discusses Roy's understanding of traditional Indian religion and the author's views on the emancipation of women. Roy criticized the traditional Indian religious classics, the gender discrimination in the moral code, advocated from the traditional religion to explore the affirmation of women, advocate gender equality ideological resources, This paper puts forward her view on the emancipation of women in India: on the basis of affirming the self-worth of women, she calls on the society to cooperate actively so as to realize the equality and freedom of Indian women. The conclusion summarizes the full text and points out the significance of Roy's creative activities to the understanding of contemporary Indian literature, contemporary society, especially the liberation of Indian women.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：I351.074
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