汴京市井歌唱伎艺的兴起

发布时间：2018-02-27 11:31

本文关键词： 伎艺嘌唱耍令缠令《武林旧事》传踏小唱唱赚《碧鸡漫志》令曲 　出处：《文艺研究》2017年06期 　论文类型：期刊论文

【摘要】：随着汴京崛起为商业化的大都市,其社会生活日渐繁华,都市冶游成为民间常态,市肆习乐形成普遍风气,其结果是市民歌乐遍及闾阎,通俗文艺大行其道,曲子创作十分踊跃,民间传唱词曲风行。这种民俗环境构成汴京市井歌唱的共性土壤,导致小唱、嘌唱、叫果子、缠令、缠达、耍令等歌唱伎艺以及鼓板的繁兴,这些伎艺对当时以及后世曲牌体音乐产生极大影响。小唱、嘌唱、叫果子、缠令、缠达、耍令皆为时代性歌唱伎艺,鼓板则为伴奏乐队,词曲、音乐、戏曲界先后投入许多研究,然而尚存理解歧义,这里拟进行深入稽考并阐释。
[Abstract]:With the rise of Bianjing as a commercial metropolis, its social life became more and more prosperous, urban tourism became the norm among the people, and the practice of the city became a general trend. As a result, the folk songs and music spread all over the city, and popular literature and art became popular. The folk environment constitutes the common soil of Bianjing's singing and singing, which leads to the singing of small songs, pudendals, fruit, tangled orders, entanglement, playing orders, etc., as well as the flourishing of drum boards. These plays had a great impact on the music of the music of the time and later generations. They were called "fruit", "putter", "fruit", "tangling", "tangda" and "juggling" were all contemporary kabuki, while drum boards were accompanied by bands, songs, and music. The opera circle has invested in many studies, however, there is still some ambiguity, which is to be further studied and explained.
【作者单位】：中国作家协会;
【分类号】：I206.2;J609.2

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