论王安忆小说的中国古典美学表征

发布时间：2018-04-04 22:31

本文选题：王安忆　切入点：小说　出处：《绍兴文理学院》2017年硕士论文

【摘要】：本文以王安忆小说创作及其文本中蕴涵的中国古典美学因子为研究对象,通过材料搜集、文本细读和分析整理等方法,对王安忆小说以常见的女性文学、都市文学和当代叙事等角度之外的视点,即古典美学的视点进行全新的解读。进而挖掘出作为当代杰出女性作家的王安忆对中国古典美学在当代文学创作中积极运用的典型意义。论文主要分为三个部分。引言部分归纳了近年来学界对王安忆小说研究的三个主要方向,同时对其个人的古典情结以及中国古典美学做了个简要的介绍。第一部分,古典美学思潮濡染下的王安忆小说,主要论述王安忆小说对中国传统儒家美学、道家美学和佛教美学的积极应用,笔者分别以《小鲍庄》、《天香》和《长恨歌》这三部小说为范本,论述王安忆在小说中对儒家之“仁义”的双重性,道家之“道法自然”的物质美学观和佛教“宿命论”之“缘”与“劫”的独特认识。第二部分,中国古典美学范畴浸透下的王安忆诗意小说,即论述王安忆小说中的古典美学审美理念,即审美诗意化。笔者主要从其小说中渗透的“意象”、“虚实”、“灵性”、“意境”和“赋比兴”这五个古典美学基本范畴进行阐述,从而提出王安忆小说在内容、结构、语言、意境和修辞上对中国古典美学自觉吸收的要点。第三部分,论述王安忆的古典美学情结,其小说对古典美学承继的典范意义。王安忆对中国古典美学的继承是在着眼于对人性的关怀之上的,在塑造城市“漂泊”的女性形象中,以其浓郁的怀旧情怀来追寻中国古典美学的。最后小结部分对现当代作家的古典美学情结做了一个简单的梳理,肯定了王安忆承前辈之后其小说对中国古典美学继承的重要意义。
[Abstract]:This article takes Wang Anyi's novel creation and the Chinese classical esthetics factor contained in its text as the research object, through the material collection, the text careful reading and the analysis arrangement and so on, this article takes the common feminine literature as the common female literature.Urban literature and contemporary narrative point of view, that is, the perspective of classical aesthetics for a new interpretation.Then it excavates the typical significance of Wang Anyi, as an outstanding contemporary female writer, in the active application of Chinese classical aesthetics in contemporary literary creation.The paper is divided into three parts.The preface summarizes the three main directions of the academic research on Wang Anyi's novels in recent years, and makes a brief introduction to his personal classical complex and Chinese classical aesthetics.In the first part, Wang Anyi's novels, which are influenced by classical aesthetic trend, mainly discuss the positive application of Wang Anyi's novels to Chinese traditional Confucian aesthetics, Taoist aesthetics and Buddhist aesthetics.Taking the three novels Xiaobaozhuang, Tianxiang and Changheng as models, the author discusses Wang Anyi's duality of benevolence and righteousness of Confucianism in his novels.The material aesthetic view of Taoist "Taoism" and the unique understanding of "fate" and "robbery" of Buddhism's fatalism.In the second part, Wang Anyi's poetic novel, which is permeated with the category of Chinese classical aesthetics, discusses the aesthetic concept of classical aesthetics, that is, aesthetic poetry.The author expounds the basic categories of classical aesthetics, such as "image", "virtual reality", "spirituality", "artistic conception" and "Fu Bixing", which are infiltrated in his novels, and then puts forward Wang Anyi's novels in terms of content, structure and language.The main points of consciously absorbing Chinese classical aesthetics in artistic conception and rhetoric.The third part discusses Wang Anyi's classical aesthetic complex, and the exemplary significance of his novels to the inheritance of classical aesthetics.Wang Anyi's inheritance of Chinese classical aesthetics is based on the concern for human nature. In the process of shaping the female image of the city "wandering", Wang Anyi pursues Chinese classical aesthetics with his strong nostalgia.In the last part, the author makes a brief combing of the classical aesthetic complex of modern and contemporary writers, and affirms the important significance of Wang Anyi's novels to the inheritance of Chinese classical aesthetics.
【学位授予单位】：绍兴文理学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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